Mozart - Ave verum corpus, K618
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There is much to admire here thanks to Ólafsson’s superb pianism, most notably in Haydn’s Sonata No. 47, Mozart’s little C major Sonata and his Adagio in B minor; his Kleine Gigue goes like... —
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Presto Recording of the Week, 3rd September 2021
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Gramophone Magazine, October 2021, Editor's Choice
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Presto Recordings of the Year, Finalist 2021
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International Classical Music Awards, 2022, Nominated - Solo Instrument
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Gramophone Awards, 2022, Shortlisted - Piano
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Special offer. Requiem: Mozart's Death in Words and Music
F. Murray Abraham, Jeanine De Bique (soprano), Catriona Morison (mezzo), Ben Bliss (tenor), Tareq Nazmi (bass); Pittsburgh Symphony Orchestra, Westminster Choir, The Mendelssohn Choir of Pittsburgh, Manfred Honeck
Honeck's is an exciting performance of the Requiem, with a crisp Kyrie, a nimble-footed Domine Jesu and a Dies Irae, which, though played and sung with absolute precision, evokes a whirlwind... —
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The World of Sacred Music
Choristers of St. Paul's Cathedral, John Scott (organ), The St. Anthony Singers, Anne Sofie von Otter (mezzo-soprano), Andrew Semple (treble), Jonathan Chinchen (treble), Choir of St. John's College, Cambridge, Peter White (organ), Luciano Pavarotti (tenor), Wandsworth School Boys' Choir, Academy...
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Special offer. Mozart & Brahms: Requiem
RecommendedNancy Argenta (soprano), Catherine Robbin (contralto), John Mark Ainsley (tenor), Alastair Miles (bass), Lynne Dawson (soprano), Olaf Bär (baritone)
London Classical Players, Schütz Choir of London, Roger Norrington
this is an enjoyable traversal of the [Mozart Requiem] score, with plenty of character and many points of illumination. —
Awards:
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Building a Library, February 2016, Also Recommended
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Special offer. Mozart: Requiem, Ave Verum Corpus & Exsultate, Jubilate
Orchestre de Chambre de Lausanne, John Nelson
John Nelson, most readily identified with the music of Berlioz, proves himself an instinctive Mozartian, as sensitive to the delicacy of the composer’s orchestration as he is responsive to the... —
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Special offer. Mozart: Requiem
Elizabeth Watts (soprano), Phyllis Pancella (mezzo-soprano), Andrew Kennedy (tenor) & Eric Owens (bass-baritone), & Robert Nairn (double bass obbligato)
Handel and Haydn Society, Harry Christophers
[Owens's] instrument sounds magisterial as it rolls along, matching well with the three remaining soloists. Elizabeth Watts is a luminous soprano. Phyllis Pancella can rely on the almost contralto-like... —
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Special offer. Exsultate Jubilate
Kiri te Kanawa
London Symphony Orchestra and Chorus, Sir Colin Davis
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'Jesu, Joy of Man's Desiring' - favourite Choral works
St. John’s College Choir, Cambridge, George Guest
Purists might dislike the slightly heavy old-fashioned approach but there are plenty of spine-tingling, grand moments in this attractive programme from St John’s College Choir. Slightly woolly... —
