Stravinsky - Tango
Genres:
Instrumental » Piano Solos
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Stravinsky: The Rite of Spring
Recommended& other works for two pianos four hands
Marc-André Hamelin (piano), Leif Ove Andsnes (piano)
The two-piano transcription is arguably as exhilarating as the full orchestration [of The Rite], and Andsnes and Hamelin offer a reading that is in turns thrilling, unsettling and beautiful…... —
Awards:
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Gramophone Magazine, February 2018, Record of the Month
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Record Review, 10th February 2018, Recording of the Week
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Gramophone Awards, 2018, Finalist - Instrumental
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Presto Recordings of the Year, Winner 2018
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Grammy Awards, 61st Awards (2019), Nominee - Chamber Music/Small Ensemble Performance
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Limelight Magazine Recordings of the Year, 2018, Nominated - Instrumental
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Adès's touch with the piano parts is at once live-wire and beautifully stylish, with Marwood matching this flair for deftly characterised light and shade. The Pulcinella suite and Divertimento... —
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Stravinsky: Music for Solo Piano and Piano and Orchestra
Peter Donohoe (piano)
Hong Kong Philharmonic Orchestra, David Atherton
All are superbly crisp and clean, and David Atherton has his Hong Kong orchestra on its toes. Both the Concerto and the Capriccio demonstrate extra energy just when interest might be in danger... —
Awards:
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Presto Editor's Choice, December 2017
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Awards:
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Grammy Awards, 43rd Awards (2000), Best Chamber Music Recording
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Musically she’s a chameleon, capable of completely changing her colour at the drop of a hat, and that versatility is what makes this new recording such a success...It’s a neat idea, which she... —
Awards:
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BBC Music Magazine, August 2021, Recording of the Month
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Special offer. Diana Gabrielyan plays Stravinsky, Shostakovich, Babajanyan & Mansuryan
Diana Gabrielyan (piano)
Throughout she displays a clear, delicate touch, and a refusal to grandstand even when the virtuoso nature of the music invites it. The varying moods of the fascinating Sonata Op. 11 by Shostakovich... —
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Whether scintillating in the fearsome Three Movements from Petrushka, nonchalant in the mis-steps of the Tango or coolly detached in the chorale from Symphonies of Wind Instruments, Shevchenko’s... —
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