Lôbo, D - Pater peccavil
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This exquisite late-Renaissance Portuguese polyphonic repertoire is as richly expressive as it is politically poised…This beautiful new album from The Marian Consort is surely one of the best... —
Awards:
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Gramophone Magazine, December 2018, Editor's Choice
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Paradisi Portas: Music from 17th Century Portugal
Tom Wilkinson (organ)
The Choir of the Queen's College Oxford, Owen Rees
The Choir of Queen's College clearly relish singing the music… Rees is not afraid to have the entire choir sing the chant… and the choral blend is excellent. —
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Portuguese Vocal Masterpieces of the 16th & 17th Centuries, Vol. 1
Vitor Sousa (tenor), Diogo Zão (organ), Rita Venda (soprano), Ana dos Santos (alto), Guilherme Barroso (lute), Filipa Meneses (viola da gamba), Sara Amorim (alto)
Capella Duriensis, Jonathan Ayerst
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El Clave Del Emperador (diego de Pantoja and His Legacy)
Darío Tamayo (organ, harpsichord), Abigail Horro (voice, zheng, spanish baroque harp, morin khuur), Rubén García Benito (sheng, erhu, xiao), Aníbal Soriano (baroque guitar, lute, recorder), Luis Vives (percussion), María del Mar Blasco (baroque violin), Javier Utrabo (violone, baroque double bass),...
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Special offer. Renaissance Portugal
Sacred Music of Cardoso and Lôbo
The Sixteen, Harry Christophers
