Gibbons, O - O Lord, in thy wrath rebuke me not
Genres:
Choral » Anthems & Motets
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The line-up might play safe, but it’s all exquisitely done, collegiate smoothness and blend to the fore. And what blend! The harmonic voicing is immaculate yet always sensitive to the imperatives... —
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The Oxford Camerata provides a representative selection of choral works by Gibbons, together with three of his organ pieces. The programme is introduced by a bright and busy performance of the... —
Awards:
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Gramophone Magazine, August 1996, Editor's Choice
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Building a Library, October 2018, Recommended Recording
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Where words and music most happily merge - for instance in Gibbons's Hosanna to the Son of David - the director and his vocalists exude confidence, animating melodic lines gracefully to reach... —
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Special offer. Gibbons: Phantasm
RecommendedConsorts for Viols
Susanna Pell (tenor viol), Asako Morikawa (bass viol)
Phantasm
Awards:
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Gramophone Awards, 2004, Winner - Early Music
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Building a Library, October 2018, Also Recommended
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Downloads
Audio formats guide -
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Gibbons: Church Music
RecommendedThe Choir of King's College Cambridge, Sir David Willcocks & Boris Ord
The artistry of the performers perfectly matches Gibbons's demands in this Critics' Choice disc. Limpid clarity, sensitivity to text and earnest delivery reveal the subtleties of the composer's... —
Awards:
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Building a Library, Also Recommended
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CD
$11.25 -
The line-up might play safe, but it’s all exquisitely done, collegiate smoothness and blend to the fore. And what blend! The harmonic voicing is immaculate yet always sensitive to the imperatives... —
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Vinyl Record
$29.50 -
Special offer. Orlando Gibbons At the Chapel Royal
Joshua Simões, The Choir of HM Chapel Royal, Hampton Court Palace, The English Cornett & Sackbut Ensemble, Carl Jackson
an impressively wide range of the composer's output. If the voices are a little ragged and underpowered in the dry acoustic, there is an admirable unanimity of purpose. —
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Where this light-toned, unassuming sextet delivers is in the strongest material: the agonies of both settings of When David heard (by Tomkins and Gibbons) and the obsessional fervour of Tallis's... —
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