Saint-Saëns - Danse macabre, Op. 40
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In John Wilson's account [of The Sorcerer's Apprentice] the drama is calibrated to a T with virtuosity and precision aplenty, from the first purposely placed pizzicato 'plop' to that unearthly... —
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Presto Recording of the Week, 1st May 2026
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Saint-Saëns: Symphonic Poems - Le Carnaval des Animaux - l'Assassinat du Duc de Guise
RecommendedLes Siècles, François-Xavier Roth
One of his many virtues is that he’s not afraid of making his orchestra play very, very quietly; another is that, where a composer has not noted dynamics, Roth feels free to invent them, and... —
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Presto Recording of the Week, 17th November 2023
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BBC Music Magazine, Christmas Issue 2023, Orchestral Choice
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Gramophone Magazine, December 2023, Editor's Choice
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Saint-Saëns: Symphony No. 3
RecommendedGaston Litaize (organ)
Orchestre de Paris, Chicago Symphony Orchestra, Daniel Barenboim
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Building a Library, February 2015, First Choice
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Saint-Saëns: Songs
RecommendedFrançois Le Roux (baritone), Graham Johnson (piano), Krysia Osostowicz (violin), Philippa Davies (flute)
This is the most resounding blow yet to be struck for the mélodies of Saint-Saëns. François Le Roux, with his incisive diction and ability to characterise each song, is a real champion for the... —
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Presto Favourites, Recommended Recording
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Saint-Saëns: Danse macabre
RecommendedKyung Wha Chung (violin)
Royal Philharmonic Orchestra & Philharmonia Orchestra, Philharmonia Orchestra, Royal Philharmonic Orchestra, Charles Dutoit
It's enough to make you weep – Saint-Saëns wrote his first tune at the age of three, analysed Mozart's Don Giovanni from the full score when he was five, and at 10 claimed he could play all... —
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Presto Favourites, Recommended Recording
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Saint-Saëns: Symphony No. 2, Danse macabre & Urbs Roma
Madeline Adkins (violin)
Utah Symphony, Thierry Fischer
Thierry Fischer and the Utah Symphony’s performances here are polished and graciously articulate…favouring poise and charm over heat and bite. There’s exhilaration, too, mind you… The Danse... —
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No point trying to fault anything: the lightness and flexibility of her touch takes the breath away, and her sound is at every moment transparently controlled, each piece displaying insight... —
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BBC Music Magazine, June 2012, Instrumental Choice
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Gramophone Magazine, June 2012, Editor's Choice
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Special offer. The Legacy of Charles Munch
Orchestre de la Société Philharmonique de Paris, L’Orchestre de la Société des Concerts du Conservatoire de Paris, London Philharmonic Orchestra, Concertgebouworkest, New Philharmonia Orchestra, Symphonieorchester des Bayerischen Rundfunks, Charles Munch
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Diapason d’Or, July/August 2020, Réédition
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14 CDs
Original price ($77.25) Reduced price $54.07 -
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Dance!
Daniel Hope (violin), Zürcher Kammerorchester (chamber orchestra), Benjamin Günst (violin), Jenö Lisztes (cimbalom), Omar Massa (bandoneon), Stephane Logerot (bass), Joscho Stephan (guitar), Jacques Ammon (piano), Marie-Pierre Langlamet (harp)
There are...treasures, all led by this charismatic musician with great verve and style in a hugely enjoyable and imaginative programme delivered with all of Hope’s customary panache. —
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The French Romantic sensibility is clearly audible across this beautifully played selection: texture and atmosphere are everything, tension ebbs and flows. —
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Opus Klassik Awards, 2024, Nominated - Symphonic Recording of the Year
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