Byrd - Galliard
Genres:
Instrumental » Piano Solos » Harpsichord Solos
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Egarr explores with affection and intelligence the rich world of Byrd’s keyboard music, on a modern copy of a Ruckers harpsichord. Bells is a real gem. —
Awards:
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Gramophone Magazine, August 2018, Editor's Choice
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The Glory of Early Music
Shirley Rumsey (lute), Joseph Payne (organ), Christopher Wilson (lute), Timothy Roberts (virginal, organ), Laurence Cummings (organ), Unicorn Ensemble, Ensemble Villanella, Rose Consort of Viols
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A Cleare Day: Pieces from the Fitzwilliam Virginal Book
Kenneth Weiss (virginals, Flemish & Italian harpsichords)
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Chylek has opted for a harpsichord throughout, a copy by Matthias Griewisch of a 1624 Ruckers. It sounds well, and Chylek’s apposite phrasing and articulation – Byrd’s particularity in the execution... —
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The Triumphs of Oriana
Madrigals, compiled by Thomas Morley, 1601
David Miller (lute)
I Fagiolini, Robert Hollingworth
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Tomkins, Gibbons & Byrd: Consort and Keyboard Music
Timothy Roberts (organ/harpsichord), Tessa Bonner (soprano)
The Rose Consort of Viols, Red Byrd
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