Schubert+
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In Çakmur's hands, Schumann's Waldszenen abounds with gestures that may sound unusual or capricious, yet are mostly borne out or implied in the score. —
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I am happy to report that it more than fulfils the highest expectations...This very distinguished recording should not be missed by anyone interested in fine piano-playing and heartfelt poetic... —
Awards:
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Gramophone Magazine, August 2023, Editor's Choice
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International Classical Music Awards, 2024, Nominated - Solo Instrument
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Çakmur is fearless in revealing his personal voice, opting for a thoroughly romantic take on the music, without traducing the Schubertian spirit. His pianism is imbued with a natural instinct... —
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exquisite playing that sings and sparkles - in the finale [of D664], his fingers dance is if he were a ballerina en pointe. Throughout, his approach is intimate, as if we are eavesdropping on... —
Awards:
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Gramophone Magazine, September 2025, Editor's Choice
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This is Schubert as a natural Romantic, rather than as a Classic straining at the leash. Which makes the transition to Chopin easy and natural. —
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Çakmur’s playing has plenty of vigour, too: his handling of rhythmic quirks can knock you off balance; whiplash grace notes can shock you; and the upbeat finale of the Krenek will leave you... —
Awards:
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International Classical Music Awards, 2025, Nominated - Solo Instrument
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