Mikhail Pletnev Tchaikovsky Symphonies
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[the finale] has balletic energy and is refreshingly free from vulgarity, In Romeo and Juliet the orchestra is superbly responsive, shaping the love melody with nobility and warmth...The recording... —
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He starts at a surprisingly low voltage, although what his slower tempi lose energy they gain in detail and almost Nutcracker-like atmosphere. And, by contrast, the last movement has tremendous... —
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Details are invariably surprising...Rubatos, too, are elegantly turned, the phrasing eminently pianistic in that it is so quick of reflex. Of course, it takes an orchestra of extraordinary dexterity... —
Awards:
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BBC Music Magazine, October 2011, Disc of the month
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both conductor and orchestra are on particularly fine form in Manfred, delivering an insightful and compelling reading that takes its place among the finest available recordings of this work...Pentatone's... —
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it's far from just an updated clone of their earlier 'Pathétique', which was serious fiery (E4717422). This one is a touch mellower in tone and style, with no loss at all in terms of class and... —
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Special offer. Tchaikovsky: Symphony No. 2 in C minor, Op. 17 'Little Russian'
Russian National Orchestra, Mikhail Pletnev
Here [Pletnev] presents not only the standard version, but also the first movement in its original form, which several of Tchaikovsky's colleagues thought far superior to the revised version...Pletnev's... —
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Special offer. Tchaikovsky: Symphony No. 3 & Coronation March
Russian National Orchestra, Mikhail Pletnev
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