Rosenblatt Recitals
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Feola is everything that Rosenblatt Recitals hope to discover - a beautiful voice in its youthful prime, an artist upon the threshold of an auspicious career...at the close of 'Pace non trovo',... —
Awards:
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Gramophone Magazine, March 2016, Editor's Choice
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Gramophone Awards, 2016, Shortlisted - Solo Vocal
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Burnside brings out all the colours of Mompou's chromatic ornamentation, overlaying a firmly tonal or modal base, and is particularly adept, as in the Canço de la fira, at elucidating Mompou's... —
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Pratt's soprano has a very lively, glittering surface...pinpoint flickers of brilliance in Eva Dell'Acqua's 'Villanelle', a confident high E flat in Rossini's 'La fioraia fiorentina'. —
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The singer most frequently brought to mind...is Victoria de los Angeles, partly because of the programme but also the vocal qualities on display: the delicacy, lightness and timbre of her soprano,... —
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never before has a burn come simply from listening to a vocal recital...you can easily see why she shot to fame at Los Angeles Opera...She’s so sultry, dramatic and spine-tingling. Her manner... —
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Johnson's full, lustrous tone and floating higher notes, decidedly unlike today's typical 'English' tenor, suit this repertoire well. With James Baillieu's strong if unobtrusive support, he... —
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Special offer. Lawrence Brownlee: The Heart That Flutters
Lawrence Brownlee (tenor) & Iain Burnside (piano)
Brownlee doesn't have anything like the deceptive ease of Pavarotti, and he could use something more of Alfredo Kraus's poise and grace; but his considerable technical elegance and attractive... —
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Siurina has a lovely voice, with a bright edge and superb projection, but she never tries to over-interpret...the overall effect is of relaxed enjoyment. —
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Often her first priority with making expressive points is tone. It's hard to blame her because she has so much of it that one could almost mistake her for a mezzo-soprano...When Fauré pares... —
