Bach Piano Transcriptions
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…What makes Lane's performance so special is the sheer panache, even chutzpah, that he brings to every twist and turn while managing to keep the contrapuntal threads transparent within the fabric.... —
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Bach - Piano Transcriptions Volume 3
Arrangements by Ignaz Friedman, Percy Grainger and William Murdoch
Piers Lane (piano)
Lane commands the golden tone and effortless, spirited virtuosity needed to make these transcriptions come alive, and makes them sound easy to boot. A honey of a release —
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Bach - Piano Transcriptions Volume 9
A Bach Book for Harriet Cohen and other British transcriptions
Jonathan Plowright (piano)
Plowright plays everything with calm, unforced nuance assurance, nicely balancing Bach style and period manners, and making light of all the left-hand skips needed to suggest Bach's organ pedal... —
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Bach - Piano Transcriptions Volume 5
Transcriptions by Georgy Catoire (1861-1926), Alexander Goedicke (1877-1957), Dmitri Kabalevsky (1904-1987), Alexander Siloti (1863-1945)
Hamish Milne (piano)
…best of all is the brilliant and grandiose transcription of the great C minor Passacaglia by Georgy Catoire, whose original works we are only beginning to rediscover… Though Milne's booklet... —
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His performances capture the smouldering long lines and Gothic grandeur inherent in Busoni’s textural transformations —
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Bach - Piano Transcriptions Volume 4
The complete solo Bach transcriptions by Samuil Feinberg (1890-1962)
Martin Roscoe (piano)
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Bach - Piano Transcriptions Volume 10
The complete Bach transcriptions by Camille Saint-Saëns & Philipp
Nadejda Vlaeva (piano)
As soon as Nadejda Vlaeva launches into her first Saint-Saens Bach transcription, you know you're in for a treat. Sure enough, volume ten of Hyperion's Bach Transcriptions series proves a parade... —
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How richly satisfying to hear playing of such unimpeachable musical honesty and awe-inspiring pianist grandeur…It is surely no exaggeration to say that if such playing is anything to go by you... —
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Markus Becker is a heroic exponent of this obscure yet satisfying repertoire, less 'pianistic' than the contemporary Bach-Busoni arrangements yet setting the performer equal if not greater challenges.... —
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