Gerhard Oppitz Complete Beethoven Piano Sonatas

…Oppitz truly gives his all in the Hammerklavier. He brings impressive power, sweep and seasoned technique to the outer movements. One might prefer a more biting, angular Scherzo, yet Oppitz's... — Gramophone Magazine, October 2007More…

Gerhard Oppitz concludes his Beethoven cycle on top form. So organically does the interweave the lyricism and rolling urgency of Op 109's opening movement that the music appears to be improvised... — Gramophone Magazine, Janurary 2008More…

The three Op 31 Sonatas elicit Gerhard Oppitz's most characterful and personalised playing yet in a Beethoven cycle that's been marked by vibrant ups and dour downs. — Gramophone Magazine, June 2007More…