Historic
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Special offer. Geza Anda plays Mozart and Ravel (1952, 1963)
Géza Anda (piano)
SWR Sinfonieorchester Baden-Baden und Freiburg, Hans Rosbaud, Ernest Bour
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Special offer. Johanna Martzy Plays Mendelssohn & Brahms
Johanna Martzy (violin)
Stuttgart Radio Symphony Orchestra, Hans Muller-Kray, Gunter Wand
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Special offer. Dietrich Fischer-Dieskau sings Baroque Arias (1952-1954)
Dietrich Fischer-Dieskau (baritone), Hermann Werdermann (harpsichord), Bertha Krimm (violin), Else Gohrum (violin), Hermann Klaiss (cello), Marianne Ott (violin), Lisedore Praetorius (harpsichord), Marianne Klemm-Ott (viola), Max Schulze (double bass), Hermann Hirschfelder (viola), Fred Schweinfurter...
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Special offer. Furtwängler conducts Furtwängler & Beethoven
Radio-Sinfonieorchester Stuttgart, Wilhelm Furtwängler
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Special offer. Zino Francescatti plays Brahms
Zino Francescatti (violin)
SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour
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Special offer. Johanna Martzy plays Mozart
Johanna Martzy (violin)
Radio-Sinfonieorchester Stuttgart des SWR, Hans Müller-Kray
The rediscovery of Johanna Martzy continues with a radiant coupling of two Mozart concertos in which every note speaks with emotional authenticity. —
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Here is this great Russian at his exhilarating best. The weighting and voicing is super-refined, the fast movements hurtle, the slow ones have a grave expressiveness, and the Eroica Variations... —
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Special offer. Nicolai Gedda sings Arias and Lieder
Nicolai Gedda (tenor), Werner Singer (piano), Erik Werba (piano)
SWR Sinfonieorchester Baden-Baden und Freiburg, Ernest Bour
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Special offer. Lorin Maazel conducts Beethoven & Bartók
Stuttgart Radio Symphony Orchestra, Lorin Maazel
The young Lorin Maazel puts the Stuttgart Orcdhestra through its paces in muscular renditions of Beethoven. Despite moments of untidiness, the Bartók is exciting. —
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Special offer. Szeryng plays Schumann, Vieuxtemps, Nardini & Ravel
Henryk Szeryng (violin)
SWR Sinfonieorchester Baden-Baden und Freiburg, Hans Rosbaud
In the mid-1950s Szerzyng was at his peak, and his tonal purity captivates throughout. He never recorded commercially the Nardini and Vieuxtemps heard here. —
