Adam Fischer Mozart Symphonies
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Fischer gets his orchestra to play with fierce intensity, so that works which usually seem accomplished but conventional take on a fresh complexion. —
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the resonant acoustic can soak up the oboes and horns in the tuttis. But if you want these symphonies on modern instruments, played with elan, sensitivity (not least in the exquisitely realised... —
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doubts don't seem to trouble Adam Fischer, infectiously alive to interpretative possibilities, a positive feel for style (violins are separated) and a sharp ear for ensemble balance...Fischer's... —
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Fischer impels the opening Allegro spiritoso [of No. 28] with a wealth of nervous energy...later in the work producing beautifully caressing phrases in the muted violin Andante...The symphonies... —
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Fischer grabs instant attention...turning the first-movement Allegro assai into a curtain-raiser of a kinetic excitement that could have run away with itself. But Fischer is in unqualified control,... —
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Fischer appreciates the importance of a secure bass-line...[he] and his enthusiastic Danish players imbue this youthful music with spirit and energy; they make the most of what's in front of... —
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we are on familiar Fischer ground in performances that occasionally feel rather too driven...Fischer's interventions will please or appal depending on whether or not you take to his idiosyncrasies...If... —
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Fischer's Danish players perform with energy, a certain refreshing rawness and, when required, a nicely tapering phrase. The recording is quite close and detailed but not oppressive. —
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we are on familiar Fischer ground in performances that occasionally feel rather too driven...Fischer's interventions will please or appal depending on whether or not you take to his idiosyncrasies...If... —
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