Thielemann Beethoven Symphonies/Documentaries
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Beethoven: Symphony No. 9 in D minor, Op. 125 'Choral'
Annette Dasch (soprano), Mihoko Fujimura (alto), Piotr Beczala (tenor) & Georg Zeppenfeld (bass)
Wiener Philharmoniker, Christian Thielemann
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Beethoven: Symphonies Nos. 7-9
and documentaries about each Symphony
Annette Dasch (soprano), Mihoko Fujimura (alto), Piotr Beczala (tenor) & Georg Zeppenfeld (bass)
Wiener Philharmoniker, Christian Thielemann
The performances, the Vienna Philharmonic on top form, can't help sounding wonderful...oddly, it is the discussions that are the most enjoyable elements in this ambitious set. —
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Beethoven: Symphonies Nos. 4-6
and Documentaries about each Symphony
Wiener Philharmoniker, Christian Thielemann
The performances, the Vienna Philharmonic on top form, can't help sounding wonderful...oddly, it is the discussions that are the most enjoyable elements in this ambitious set. —
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Beethoven: Symphonies Nos. 4-6
and Documentaries about each Symphony
Wiener Philharmoniker, Christian Thielemann
The performances, the Vienna Philharmonic on top form, can't help sounding wonderful...oddly, it is the discussions that are the most enjoyable elements in this ambitious set. —
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Beethoven: Symphonies Nos. 7-9
and documentaries about each Symphony
Annette Dasch (soprano), Mihoko Fujimura (alto), Piotr Beczala (tenor) & Georg Zeppenfeld (bass)
Wiener Philharmoniker, Christian Thielemann
The performances, the Vienna Philharmonic on top form, can't help sounding wonderful...oddly, it is the discussions that are the most enjoyable elements in this ambitious set. —
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Beethoven: Symphonies Nos. 1-3
and Documentaries about each Symphony
Wiener Philharmoniker, Christian Thielemann
The performances, the Vienna Philharmonic on top form, can't help sounding wonderful...oddly, it is the discussions that are the most enjoyable elements in this ambitious set. —
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Beethoven: Symphonies Nos. 1-9
Annette Dasch (soprano), Mihoku Fujimura (alto), Piotr Beczala (tenor), Georg Zeppenfeld (bass)
Wiener Philharmoniker, Christian Thielemann
Listen to the Scherzos and Minuets of the first four symphonies. They fairly spring out of the blocks with a muscular tension that brooks no obstacle or oppositions, the orchestra perfectly... —
