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New. Cocteau's Music

Claire Booth (soprano), Christopher Glynn (piano)

Cocteau's Music

Awards:

Booth's remarkable capabilities as a singing actress allow her to encompass the multiple personas, verbal dexterity and moments of emotional nakedness that characterise Cocteau's poetry, as...

New. Cocteau's Music

Claire Booth (soprano), Christopher Glynn (piano)

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CD

$17.25

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From Original price $10.25 Reduced price $7.25

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Audio formats guide

96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($15.50) Reduced price $10.75

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($12.25) Reduced price $8.50

320 kbps, MP3

Original price ($10.25) Reduced price $7.25

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Booth's remarkable capabilities as a singing actress allow her to encompass the multiple personas, verbal dexterity and moments of emotional nakedness that characterise Cocteau's poetry, as...

About

Jean Cocteau was many things: poet, playwright, artist, filmmaker, collaborator, self-inventor - each description fits, but none is sufficient. His work darts and pivots, one mask slipping as another appears. But beneath the surface, the same fixations recur, especially love, death, dependence and abandonment. This album stays close to his restlessness, touching melodrama, popular culture, prayer, aphorism, dance, cabaret and theatre, as styles collide, and the masks occasionally fall. At the centre of the program stands La Voix Humaine, Cocteau's searing study of love, loss and fractured communication, alongside a sequence of songs by Poulenc, Milhaud, Honegger, Auric and others reflecting Cocteau's wide artistic circle, where high art and popular culture meet without hierarchy. The result is not a comprehensive survey, but rather a carefully drawn portrait, shaped by affection and curiosity.

Contents and tracklist

Miel de Narbonne
Track length2:42
Bonne d'enfant
Track length1:48
Enfant de troupe
Track length2:18
I. Introduction
Track length0:50
II. Allô, allô…
Track length1:00
II. Allô, c'est toi?
Track length1:00
IV. Hier soir, je me suis couchée tout de suite
Track length1:48
V. Allô! Chéri… si on coupe…
Track length1:11
VI. Qu'elle comédie?
Track length1:22
VII. Souviens-toi du dimanche de Versailles
Track length1:36
VIII. Demain? Je ne savais pas que c'était si rapide
Track length0:57
IX. Allô! Et comme ça?
Track length2:38
X. Je ne sais pas…
Track length1:44
XI. Allô, allô Mad'moisell'…
Track length2:17
XII. Allô! Ah! Chéri, c'est toi?
Track length4:11
XIII. Hier soir, j'ai voulu prendre…
Track length1:59
XIV. Il était quatre heur' du matin…
Track length2:04
XV. Allô! J'entends de la musiq'…
Track length1:16
XVI. Pardonne-moi, je sais que cette scène est intolérable
Track length0:39
XVII. Avant-hier soir? J'ai dormi.
Track length2:56
XVIII. Voilà deux jours qu'il ne quitte pas l'antichambre
Track length1:41
XIX. Allô!… Allô! Madam
Track length2:53
XX. Sois tranquille. On ne suicide pas deux fois.
Track length1:52
XXI. Allô!… Allô!… Mon Dieu, fait' qu'il redemande…
Track length4:34
XXII. Alors, voilà… j'allais dire machinalement
Track length2:18

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    26th June 2026

August 2026

Booth's remarkable capabilities as a singing actress allow her to encompass the multiple personas, verbal dexterity and moments of emotional nakedness that characterise Cocteau's poetry, as well as the stylistic range and shifting moods of the music it inspired...A superb achievement. Do listen to it.

26th June 2026

Hearing La Voix humaine shorn of its symphonic clothing pays huge dividends, especially when the rapport between the performers is as tangible as it is here. In Glynn’s hands you barely miss the orchestral colours, whilst the freshness of Booth’s light, bright soprano reminds us that Cocteau conceived Elle as a young woman rather than a grande dame.
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