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New. Barber: Vanessa

Nicole Heaston (Vanessa), J'Nai Bridges (Erika), Matthew Polenzani (Anatol), Susan Graham (The Old Baroness), Thomas Hampson (The Old Doctor), National Symphony Orchestra, Gianandrea Noseda

Barber: Vanessa

Awards:

This new live Kennedy Center recording hits the mark. Noseda draws playing of real lustre from the National Symphony Orchestra. He is alert, too, to the score's unease...The more compelling...

New. Barber: Vanessa

Nicole Heaston (Vanessa), J'Nai Bridges (Erika), Matthew Polenzani (Anatol), Susan Graham (The Old Baroness), Thomas Hampson (The Old Doctor), National Symphony Orchestra, Gianandrea Noseda

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This release includes a digital booklet

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Awards:

This new live Kennedy Center recording hits the mark. Noseda draws playing of real lustre from the National Symphony Orchestra. He is alert, too, to the score's unease...The more compelling...

About

Gianandrea Noseda and the National Symphony Orchestra present a gripping new recording of Samuel Barber’s Vanessa, the Pulitzer Prize- winning American opera of love, longing, and illusion.

In Barber’s atmospheric, emotionally charged score, echoes of Verdi, Puccini, and Hitchcock-era Hollywood intertwine with a distinctly modern American voice. This performance brings together an exceptional cast, including Nicole Heaston, J’Nai Bridges, Matthew Polenzani, Susan Graham, and Thomas Hampson, who illuminate Gian Carlo Menotti’s haunting tale of desire across generations.

Recorded live in concert, this release captures Vanessa’s sweeping romanticism and psychological depth with vivid orchestral colour and extraordinary vocal artistry. A landmark addition to the contemporary operatic discography, it reveals why Vanessa remains one of the 20th century’s most compelling operas.

Contents and tracklist

Act 1 Scene 1 Introduction
Track length1:24
Act 1 Scene 1 Potage crème aux perles
Track length2:01
Act 1 Scene 1 No
Track length5:07
Act 1 Scene 1 Must the winter come so soon?
Track length2:09
Act 1 Scene 1 Listen!. . . They are here
Track length1:55
Act 1 Scene 1 Do not utter a word
Track length4:32
Act 1 Scene 1 Yes
Track length2:09
Act 1 Scene 1 Who are you?
Track length5:44
Act 1 Scene 2 And then?
Track length4:09
Act 1 Scene 2 No
Track length3:11
Act 1 Scene 2 Under the willow tree two doves cry
Track length2:41
Act 1 Scene 2 Erika
Track length3:41
Act 1 Scene 2 Did you hear her?
Track length1:33
Act 1 Scene 2 Help
Track length3:06
Act 1 Scene 2 Outside this house the world has changed
Track length3:10
Act 1 Scene 2 Hurry
Track length2:15
Act 1 Scene 2 In morning light let us rejoice
Track length4:26
Act 2 The Count and the Countess d'Albany
Track length3:29
Act 2 I should never have been a doctor, Nicholas
Track length3:15
Act 2 Here you are!
Track length1:29
Act 2 At last I've found you
Track length1:31
Act 2 Love has a bitter core, Vanessa
Track length4:35
Act 2 Nothing to worry about
Track length6:59
Act 3 Scene 1 Why did no-one warn me?
Track length4:51
Act 3 Scene 1 Why must the greatest sorrows come from those we most love?
Track length2:22
Act 3 Scene 1 There, look!
Track length3:16
Act 3 Scene 1 On the path to the lake
Track length2:50
Act 3 Scene 1 Anatol, tell me the truth!
Track length2:48
Act 3 Scene 1 Grandmother!
Track length2:44
Intermezzo
Track length4:03
Act 3 Scene 2 By the time we arrive in Paris the new house should be ready
Track length1:06
Act 3 Scene 2 For ev'ry love there is a last farewell
Track length2:02
Act 3 Scene 2 And you, my friend, what are you mumbling about?
Track length2:39
Act 3 Scene 2 Erika, before I leave you must tell me the truth about that night
Track length4:07
Act 3 Scene 2 To leave, to break, to find, to keep
Track length3:42
Act 3 Scene 2 Goodbye, be happy, Aunt Vanessa
Track length2:38
Act 3 Scene 2 No, I must never say that name again
Track length3:29

Awards and reviews

  • Record Review
    30th May 2026
    Record of the Week
  • BBC Music Magazine
    July 2026
    Opera Choice

July 2026

This new live Kennedy Center recording hits the mark. Noseda draws playing of real lustre from the National Symphony Orchestra. He is alert, too, to the score's unease...The more compelling dramatic charge comes from J'Nai Bridges's Erika, with her dusky mezzo and inward intensity.

August 2026

Noseda and his orchestra play Barber's score for all its worth...It's an approach that emphasises the modernity, rather than the all-too-late romanticism of Barber's imagination.
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