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New. Seelenfrieden

Martin Platz (tenor), Lautten Compagney, Wolfgang Katschner

Seelenfrieden
Johann Philipp Krieger (d.1725) has the most recordings here, and his 'Benedicam Dominum' (Psalm 34) provides the perfect medium for the lyrical suavity of Platz's voice... The works of Johann...

New. Seelenfrieden

Martin Platz (tenor), Lautten Compagney, Wolfgang Katschner

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Johann Philipp Krieger (d.1725) has the most recordings here, and his 'Benedicam Dominum' (Psalm 34) provides the perfect medium for the lyrical suavity of Platz's voice... The works of Johann...

About

With Seelenfrieden, the tenor Martin Platz, the lautten compagney Berlin, and their artistic director Wolfgang Katschner present a compelling recording of sacred vocal and instrumental music from the seventeenth century. The programme brings together works by Johann Philipp Krieger, Heinrich Schütz, Andreas Hammerschmidt, Dietrich Buxtehude, Johann Rosenmüller, and Johann Theile—composers who, in a period marked by war, religious conflict, and social upheaval, sought musical expressions of consolation, trust, and inner steadiness. At the heart of the album are sacred concertos and psalm settings whose texts address fundamental human experiences: distress and fear, lament and supplication, but also confidence, faith, and hope.

Martin Platz proves an ideal interpreter of this repertoire. His tenor combines warmth and clarity with exemplary diction and a keen sense of musical rhetoric. The lautten compagney Berlin complements the vocal line with transparency of sound, rhythmic vitality, and a finely nuanced continuo practice. Under Wolfgang Katschner’s direction, the ensemble’s playing is dialogical and alert, allowing text and music to interact and deepen one another. Instrumental sonatas by Johann Rosenmüller and Johann Philipp Krieger punctuate the programme, opening contemplative spaces that invite inward listening and reflection.

Contents and tracklist

Awards and reviews

August 2026

Johann Philipp Krieger (d.1725) has the most recordings here, and his 'Benedicam Dominum' (Psalm 34) provides the perfect medium for the lyrical suavity of Platz's voice... The works of Johann Theile were unknown to me but his intriguing 'Ach, dass ich hören sollte' glittered darkly from (for me) its place of obscurity.
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