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Daniel Catán: Florencia en el Amazonas

Alicia Gianni, David Pittsinger, Houston Grand Opera (opera company), Houston Grand Opera Chorus, Nancy Fabiola Herrera, Norman Garrett, Thomas Glass, Ana María Martínez, Joshua Guerrero (tenor), Patrick Summers

Daniel Catán: Florencia en el Amazonas
Catán's lavish neoromantic score draws heavily and with considerable technical skill on such forebears as Puccini (especially Turandot) and Ravel (Daphnis et Chloé), yet despite its undeniable...

Daniel Catán: Florencia en el Amazonas

Alicia Gianni, David Pittsinger, Houston Grand Opera (opera company), Houston Grand Opera Chorus, Nancy Fabiola Herrera, Norman Garrett, Thomas Glass, Ana María Martínez, Joshua Guerrero (tenor), Patrick Summers

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Catán's lavish neoromantic score draws heavily and with considerable technical skill on such forebears as Puccini (especially Turandot) and Ravel (Daphnis et Chloé), yet despite its undeniable...

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Contents and tracklist

¡Eh! ¡Jarabe para el amor!
Track length9:26
¡Qué beuno que llegó!
Track length7:29
¡Mi vida debe cambiar!
Track length4:30
Londres, Tahití, Sierra Nevada
Track length7:15
¿Dónde deseas sentarte?
Track length5:48
Interludio
Track length2:21
Buenos días. Despierta usted temprano
Track length5:59
¡Un as de corazones!
Track length5:55
¡Riolobo! ¡Riolobo!
Track length4:30
¡Amazonas de este río!
Track length2:17
¡Mantengan la calma!
Track length0:41
Cristóbal, Cristóbal
Track length5:53
¿Arcadio? ¿Arcadio?
Track length4:56
¡Álvaro! ¡Dios!
Track length4:05
Interludio
Track length0:41
Scene 15, ¡Amazonas!
Track length7:11
Interludio
Track length1:14
Scene 16, ¡Ya! ¡Quite esa cara!
Track length4:35
Interludio — Scene 17: ¿Lo ves, Rosalba?
Track length4:57
¿Dónde estás, Cristóbal?
Track length7:29

Awards and reviews

July 2026

Catán's lavish neoromantic score draws heavily and with considerable technical skill on such forebears as Puccini (especially Turandot) and Ravel (Daphnis et Chloé), yet despite its undeniable sonic beauty it palls somewhat before the nevertheless gorgeous end.

July 2026

Summers takes a blended approach towards the orchestra, creating colour-saturated weather fronts of sound...Most great opera scores have powers of self-renewal. This one may have more than others.
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