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New. Bach: The 6 French Suites

Francesco Tristano (piano)

Bach pulled some unexpected elements into the mix for these particular suites...And Tristano himself is full of surprises in terms of mood, colour, and tempo - often thrillingly fast, and sometimes...

New. Bach: The 6 French Suites

Francesco Tristano (piano)

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Bach pulled some unexpected elements into the mix for these particular suites...And Tristano himself is full of surprises in terms of mood, colour, and tempo - often thrillingly fast, and sometimes...

About

The fourth stage of Francesco Tristano’s Bach journey with naïve is the complete set of six French Suites (BWV 812–817, c. 1722–1725).

The cycle of six French Suites remains the first through which this Luxembourg pianist immersed himself deeply and enduringly in Bach, admiring as he does their quiet beauty and curious serenity. For him, the French Suites are lyrical and melodic yet also incisive, as if imbued with vivid spontaneity, and without the slightest hint of haste.

Density through compression is perhaps the true aim of the French Suites - after the expansion of forms at work in the six English Suites (the only earlier surviving set of French-style suites by J. S. Bach; see naïve V 8828, 2025) - before we reach the miraculous synthesis achieved in the first part of the Clavier-Übung (the six Partitas; naïve V 8619, 2024).

The complete set of six French Suites often leaves performers somewhat disconcerted, and few performers play it in its entirety. Its spareness and almost ingenuous simplicity conceal the quintessence of aesthetic form. The restrained writing and the radical brevity of its ideas and motifs belie a subtle chemistry of contrasts, for example in the Suite in E major, BWV 817.

This gem, comprising nine finely balanced movements, offers an almost unique overview of the Baroque dance repertoire (Allemande, Courante, Sarabande, Gavotte, Bourrée, Gigue, Menuet polonais, Petit Menuet {à la française}). Francesco Tristano performs the revised version of the Suite, prefaced by the Prelude in E major from Book I of The Well-Tempered Clavier.

In this new stage of his journey with Bach - a composer whose complete keyboard works he ultimately hopes to record - Francesco Tristano favours a really warm sound, very soft, underscoring the more intimate tone of the collection (Suite BWV 814, Allemande; Suite BWV 815, Sarabande; Suite BWV 813, Air, for example), in marked contrast to the more trumpet-like atmospheres that emerged from the double album comprising the six English Suites, for instance, released in Spring 2025.

Contents and tracklist

I. Allemande
Track length1:34
II. Courante
Track length1:27
III. Sarabande
Track length3:30
IV. Menuet I
Track length1:10
V. Menuet II
Track length2:17
VI. Gigue
Track length1:57
I. Allemande
Track length2:07
II. Courante
Track length1:27
III. Sarabande
Track length1:58
IV. Air
Track length0:59
V. Menuet (I)
Track length0:56
VI. Menuet (II, VWV 813a)
Track length1:20
VII. Gigue
Track length1:39
I. Allemande
Track length1:41
II. Courante
Track length1:51
III. Sarabande
Track length2:24
IV. Anglaise
Track length1:00
V. Menuet I
Track length0:44
VI. Menuet II (Trio)
Track length1:17
VII. Gigue
Track length1:46
I. Allemande
Track length2:04
II. Courante
Track length1:29
III. Sarabande
Track length2:12
IV. Gavotte
Track length1:02
V. Air
Track length1:36
VI. Menuet
Track length1:22
VII. Gigue
Track length2:06
I. Allemande
Track length1:42
II. Courante
Track length1:20
III. Sarabande
Track length2:29
IV. Gavotte
Track length0:51
V. Bourrée
Track length0:58
VI. Loure
Track length1:04
VII. Gigue
Track length2:50
I. Prélude
Track length1:32
II. Allemande
Track length2:13
III. Courante
Track length1:26
IV. Sarabande
Track length3:19
V. Gavotte
Track length1:27
VI. Menuet polonais
Track length1:05
VII. Petit Menuet
Track length0:45
VIII. Bourrée
Track length1:55
IX. Gigue
Track length2:06

Awards and reviews

August 2026

Bach pulled some unexpected elements into the mix for these particular suites...And Tristano himself is full of surprises in terms of mood, colour, and tempo - often thrillingly fast, and sometimes dreamily languid as in the Sarabande of the Third Suite.
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