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Special offer. Beethoven/5 Vol. 5

Jonathan Biss (piano), Swedish Radio Symphony Orchestra, Malin Broman

Beethoven/5 Vol. 5

Awards:

[Shaw] has an assured control of expectation, and even when the music dissolves into something surprising, it seems, in retrospect, as if we have been expecting it all along. Overall, a memorable...

Special offer. Beethoven/5 Vol. 5

Jonathan Biss (piano), Swedish Radio Symphony Orchestra, Malin Broman

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CD

$17.25

2 in stock: usually despatched within 1 working day

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From Original price $10.25 Reduced price $7.25

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Audio formats guide

48 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($15.50) Reduced price $10.75

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($12.25) Reduced price $8.50

320 kbps, MP3

Original price ($10.25) Reduced price $7.25

This release includes a digital booklet

Stream now Hi-RES 48 kHz, 24 bit

Awards:

[Shaw] has an assured control of expectation, and even when the music dissolves into something surprising, it seems, in retrospect, as if we have been expecting it all along. Overall, a memorable...

About

JONATHAN BISS concludes his Beethoven/5 commissioning project with this upcoming final installment, bringing to a close one of the most ambitious and innovative Beethoven release series of the 21st century.

Volume 5 of the series pairs Beethoven’s Concerto No.3 in C minor with Caroline Shaw’s Watermark, a reimagination of Beethoven’s Third Piano Concerto through both direct quotation and subtle reflections of its harmonic language, creating a dialogue between past and present. Shaw “imagines Beethoven imagining it, and in doing so, creates something wholly original.”

Contents and tracklist

I. Allegro con brio
Track length16:49
This track is only available as an album download.
II. Largo
Track length9:52
III. Rondo: Allegro – Presto
Track length9:24
I
Track length8:22
II
Track length9:29
III
Track length3:59

Awards and reviews

  • Gramophone Magazine
    May 2026
    Editor's Choice

May 2026

[Shaw] has an assured control of expectation, and even when the music dissolves into something surprising, it seems, in retrospect, as if we have been expecting it all along. Overall, a memorable conclusion to a noteworthy series.
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