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Coming soon. Coleridge-Taylor, Dvořák, Stewart

Gil Shaham (violin), Virginia Symphony Orchestra, Eric Jacobsen

Gil Shaham has the measure of [the Coleridge-Taylor], his plush tone and laser-focused intonation enriching the solo line in a generally more sumptuous performance than most rival recordings.

Coming soon. Coleridge-Taylor, Dvořák, Stewart

Gil Shaham (violin), Virginia Symphony Orchestra, Eric Jacobsen

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Due for release on 4th Sep 2026: order now and we will deliver it when available

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Gil Shaham has the measure of [the Coleridge-Taylor], his plush tone and laser-focused intonation enriching the solo line in a generally more sumptuous performance than most rival recordings.

About

This new recording brings together violinist Gil Shaham,conductor Eric Jacobsen and the Virginia Symphony Orchestra in a program exploring the violin concerto as a vehicle for cultural memory and continuity.

Released on Canary Classics, the album pairs Samuel Coleridge-Taylor’s Violin Concerto in G minor, Op. 80 and Antonín Dvořák’s Violin Concerto in A minor, Op. 53, with the world premiere recording of F. Harper, from The Famous People by Curtis Stewart.

Coleridge-Taylor’s concerto reveals a Romantic voice shaped by lyricism and rhythmic vitality, while Dvořák’s work reflects folk influence and communal musical expression. Stewart’s F. Harper responds through a contemporary lens, engaging questions of naming, lineageand identity.

Inspired by the layered meanings of ‘Slavonic’, the work draws parallels between European histories of enslavement and the ways Black Americans continue to shape pride and cultural legacy today. Together, these works connect past and present through sound.

Contents and tracklist

I. Allegro maestoso
Track length11:22
II. Andante semplice - Andantino
Track length8:29
III. Allegro molto - Moderato
Track length11:05
I. Allegro ma non troppo
Track length10:41
II. Adagio ma non troppo
Track length10:08
III. Finale: Allegro giocoso ma non troppo
Track length10:10

Awards and reviews

3rd July 2026

Gil Shaham has the measure of [the Coleridge-Taylor], his plush tone and laser-focused intonation enriching the solo line in a generally more sumptuous performance than most rival recordings.
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