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German Opera Scenes and Arias

Malin Byström (soprano), Royal Stockholm Philharmonic Orchestra, Thomas Søndergård

German Opera Scenes and Arias
Byström comes to this repertoire as essentially a lyric soprano, the voice more cream than steel, soft-edged rather than sharp-focused - also occasionally in her projection of the words. It...

German Opera Scenes and Arias

Malin Byström (soprano), Royal Stockholm Philharmonic Orchestra, Thomas Søndergård

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Byström comes to this repertoire as essentially a lyric soprano, the voice more cream than steel, soft-edged rather than sharp-focused - also occasionally in her projection of the words. It...

About

Swedish soprano Malin Byström, hailed as one of today’s leading singing actors, presents a captivating journey through her celebrated German repertoire. Renowned for her perfect vocal technique, Byström brings to life arias and scenes that have enthralled audiences on stage and in concert, accompanied by the Royal Stockholm Philharmonic Orchestra under Thomas Søndergård.

The album features excerpts from two 19th-century German operas among her favorites: Beethoven’s Fidelio and Carl Maria von Weber’s Der Freischütz. It also spotlights Erich Wolfgang Korngold’s Die Tote Stadt, a lushly orchestrated work that, despite today’s relative obscurity, was one of the greatest hits of the 1920s. However, it is Richard Strauss who takes center stage, a composer whose genius for the female voice is unmatched. Byström’s voice, described by critics as “radiant,” “sparkling,” and “silvery,” soars through the opulence of Die ägyptische Helena, the timeless lyricism of Capriccio, and the dramatic intensity of Salome’s final scene. This album is a testament to her artistry, showcasing her mastery across the breadth of German operatic tradition.

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Awards and reviews

August 2026

Byström comes to this repertoire as essentially a lyric soprano, the voice more cream than steel, soft-edged rather than sharp-focused - also occasionally in her projection of the words. It comes as no surprise that she is automatically a good fit for the extracts from Der Freischütz, Die tote Stadt and Capriccio.

Opera Now

...she really is in her element, pouring out the voice and creating a suitably fevered sound world. In this she is supported by conductor Thoman Sondergard, who balances his soprano against the glittering orchestra onslaught with great skill.
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