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Special offer. Szymanowski: Symphony No. 4

Szymon Nehring (piano), Polish National Radio Symphony Orchestra, Marin Alsop

Szymanowski: Symphony No. 4

Awards:

I admire the restraint, elegance and bravura of the orchestral playing under Alsop's baton. She finds a new way of reading this Dionysian score with much focus on detail, thus creating an orchestral...

Special offer. Szymanowski: Symphony No. 4

Szymon Nehring (piano), Polish National Radio Symphony Orchestra, Marin Alsop

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CD

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

I admire the restraint, elegance and bravura of the orchestral playing under Alsop's baton. She finds a new way of reading this Dionysian score with much focus on detail, thus creating an orchestral...

About

Karol Szymanowski is considered to be Poland’s greatest composer after Chopin. A contemporary of Bartók, Stravinsky, Scriabin and Ravel, his earlier works are of the late romantic style – Strauss, Reger and Rimsky Korsakov. Later he developed an impressionistic, oriental and partially atonal style which he later fused with folk music of his native land. The 4th and last of his symphonies is a 20th century take on the Sinfonia with a prominent piano part. His third ‘Song of the Night’ and fourth symphonies are masterpieces of the symphonic repertoire. Like Chopin, Szymanowski composed many mazurkas. His are based on the folk music of the Polish Highlanders, from the Tatra Mountain region.

Considered to be one of the most gifted and promising pianist of his generation in Poland, Szymon Nehring is the only Polish pianist to have won first prize at the Arthur Rubinstein International Piano Competition in Tel Aviv (2017). He was also a finalist at the Chopin Competition in Warsaw aged only 19.

Contents and tracklist

I. Moderato
Track length10:07
II. Andante molto sostenuto
Track length7:43
III. Allegro non troppo, ma agitato ad ausioso
Track length6:32

Awards and reviews

  • Gramophone Magazine
    April 2026
    Editor's Choice

April 2026

I admire the restraint, elegance and bravura of the orchestral playing under Alsop's baton. She finds a new way of reading this Dionysian score with much focus on detail, thus creating an orchestral backdrop for the soloist that allows him to shine.
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