Polish‑Austrian pianist Natalia Rehling explores Frédéric Chopin’s music from his two formative stays in Vienna, in 1829 and 1830-31, revealing the composer’s early voice alongside mature reflections. With refined virtuosity and interpretative depth, Rehling illuminates both the familiar and the rarely heard — including two versions of Var. IV of the Variations on “ Là ci darem la mano” performed directly from Chopin’s original manuscript. From the impassioned Scherzo and expressive Étude Op. 10 No. 6 to the lyrical Nocturne Op. 15 No. 2 and rhythmically vibrant Mazurkas, she draws on Polish heritage and Viennese elegance to reveal Chopin’s expressive range with clarity, warmth, and vivid emotional sensitivity.