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Aho: Symphony No. 17

Jan Lehtola (organ), Laura Hynninen, Lahti Symphony Orchestra, Erkki Lasonpalo

Aho: Symphony No. 17
Succinct yet informative notes by the composer, and a work that demonstrably starts listeners in at the top of Aho's everexpanding symphonic odyssey.

Aho: Symphony No. 17

Jan Lehtola (organ), Laura Hynninen, Lahti Symphony Orchestra, Erkki Lasonpalo

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Succinct yet informative notes by the composer, and a work that demonstrably starts listeners in at the top of Aho's everexpanding symphonic odyssey.

About

The prolific Finnish composer Kalevi Aho periodically undertakes large-scale compositions that showcase the full breadth of his artistic abilities. The Symphony No. 17 exemplifies this tendency, representing his most ambitious orchestral work to date. The symphony requires a substantial orchestra, incorporating less common instruments such as the lupophone, a variation of the baritone oboe, and the contraforte, an acoustically enhanced contrabassoon. The first movement, “From the Deep”, which can also be performed as an independent symphonic poem, establishes a somber and profound atmosphere. The second movement, “Scherzo macabre”, suggests a macabre dance of death. The finale, “Distant Songs”, features musical shifts that evoke distant times, dances, and songs, before ultimately returning to the present. Following its triumphant première in 2019, the symphony was immediately hailed as a magnum opus within Kalevi Aho’s oeuvre.

Contents and tracklist

I. Syvyydestä (From the Deep) I. Syvyydestä (From the Deep)
Track length23:18
II. Scherzo macabre II. Scherzo macabre
Track length13:22
III. Kaukaisia lauluja (Distant Songs)
Track length23:18

Awards and reviews

March 2026

Succinct yet informative notes by the composer, and a work that demonstrably starts listeners in at the top of Aho's everexpanding symphonic odyssey.

June 2026

The performance by Erkki Lasonpalo and the Lahti Symphony Orchestra is magnificent… Lasonpalo and the musicians maintain the tension in Aho’s writing and seem to be on top of the composer’s significant demands
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