Jan von Busch and Johann Blanchard have compiled timbre in Poeme Mystique. Similarly, Sigfrid Karg-Elert's true highlights from the modest repertoire for the once character pieces, Poesien, use an astonishing variety of so popular pairing of organ and piano. Recorded forms and timbres. exclusively for MDG on the historic Waldner organ from 1874, the restored instrument harmonises Cremant perfectly with the magnificent Bechstein grand piano. Strongly influenced by Tournemire, Flor Peeters wrote The organ's small size creates the possibility of truly a double concerto dedicated to his pianist daughter balanced music-making with the piano in respect of this unique pairing