Special offer. Liberté
Anna Fedorova (piano), Orquesta Sinfónica de Castilla y León, Pablo González
Ravel's Piano Concerto in G and Gershwin's Rhapsody in Blue may be the headline-grabbers, but the real magic of this deftly performed and programmed album lies arguably in the series of less...
Special offer. Liberté
Anna Fedorova (piano), Orquesta Sinfónica de Castilla y León, Pablo González
Purchase product
Ravel's Piano Concerto in G and Gershwin's Rhapsody in Blue may be the headline-grabbers, but the real magic of this deftly performed and programmed album lies arguably in the series of less...
About
Ukrainian pianist Anna Fedorova's new release, Liberte, is a cultural and musical dialogue between France and America. The influence of jazz plays a central role in this tribute to French and American composers whose work transcends genres and borders. Performed together with the Orquesta Sinfonica de Castilla y Leon under Pablo Gonzalez, the album's core pillars are Ravel's Piano Concerto in G major and Gershwin's Rhapsody in Blue. Also featured are short solo pieces that echo its central themes: three miniatures by Germaine Tailleferre, Time Peace, a miniature by Andrew Blickenderfer, and the jazzyValsefromPartita No. 5by Fedorova's compatriot Myroslav Skoryk. Two French chansons round out Liberte, an album where freedom, jazz, and the shared spirit of France and America meet in music.
Contents and tracklist
- Anna Fedorova
- Orquesta Sinfónica de Castilla y León
- Pablo González
- Anna Fedorova
- Orquesta Sinfónica de Castilla y León
- Pablo González
Spotlight on this release
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Awards and reviews
February 2026
Ravel's Piano Concerto in G and Gershwin's Rhapsody in Blue may be the headline-grabbers, but the real magic of this deftly performed and programmed album lies arguably in the series of less familiar short works for solo piano that sit between them.
February 2026
Over and above their thematic connections, these miniatures all play to this low-key pianist's virtues: her tonal succulence, her rhythmic sensitivity and her interpretative restraint.
