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Debussy & Szymanowski: Quartets

Belcea Quartet

Debussy & Szymanowski: Quartets

Awards:

Corina Belcea’s willingness to soar and slide with such sensual abandon makes it deliciously seductive… The second Szymanowski a decade later takes us even further with its post-Ravel impressionisms,...

Debussy & Szymanowski: Quartets

Belcea Quartet

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Awards:

Corina Belcea’s willingness to soar and slide with such sensual abandon makes it deliciously seductive… The second Szymanowski a decade later takes us even further with its post-Ravel impressionisms,...

About

"This is the new recording we have been waiting for. Three years after Brahms (ALPHA792), the Belcea Quartet returns in a new formation: Suyeon Kang, their new second violin, joined the quartet in 2023. Today the Belcea Quartet presents a new recording of the Debussy Quartet — which they had previously recorded on their very first album 25 years ago — and two quartets by Karol Szymanowski, a composer they are particularly fond of and who possesses a unique and immediately identifiable musical language. The first quartet was composed in 1917 but the Russian Revolution intervened; its premiere finally took place in 1924. Szymanowski — then a world-renowned composer and a leading figure in the reconstruction of musical life in the young Polish Republic — wrote his second quartet ten years after the first in 1927; it was premiered in Warsaw two years later. "

Contents and tracklist

I. Animé et très décidé
Track length6:51
II. Assez vif et bien rythmé
Track length3:59
III. Andantino, doucement expressif
Track length7:51
IV. Très modéré - Très mouvementé
Track length8:06
I. Lento assai - Allegro moderato
Track length7:53
II. Andantino semplice. In modo d’una canzone
Track length6:17
III. Vivace - Scherzando alla burlesca. Vivace ma non troppo
Track length4:21
I. Moderato
Track length8:23
II. Vivace scherzando
Track length4:38
III. Lento
Track length6:30

Awards and reviews

BBC Radio 3

Corina Belcea’s willingness to soar and slide with such sensual abandon makes it deliciously seductive… The second Szymanowski a decade later takes us even further with its post-Ravel impressionisms, folk finger prints and luminous textures, such intelligent programming
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