Special offer. Concertos & Movements
Bjarke Mogensen (accordion), Aarhus Kammerorkester, The Danish Chamber Players, Players from the Royal Danish Academy of Music, Magnus Plejdrup
Each of the composers in their different ways manages to create a surprisingly imaginative sound world, establishing a constructive dialogue in which accordion and the varied orchestral forces...
Special offer. Concertos & Movements
Bjarke Mogensen (accordion), Aarhus Kammerorkester, The Danish Chamber Players, Players from the Royal Danish Academy of Music, Magnus Plejdrup
Purchase product
Each of the composers in their different ways manages to create a surprisingly imaginative sound world, establishing a constructive dialogue in which accordion and the varied orchestral forces...
About
This album traces a personal musical journey across borders, generations, and sound worlds—an artistic exploration inspired by the expressive depth of the modern accordion in dialogue with various chamber orchestra formations. Featuring works by Ihor Shamo (1925-1982), Ole Schmidt (1928-2010), and Anders Koppel (b.1947), the programme presents three distinct compositional voices united by a shared spirit of curiosity and innovation that allows tradition and experimentation to coexist.
At the heart of the album lies Ihor Shamo’s Concerto for Accordion and String Orchestra (1981), dedicated to Ukrainian accordionist Wladimir Besfamilnow. In this work, Shamo treats the accordion almost like an organ, particularly in the opening Preludio and Fuga, where sustained chorales and contrapuntal textures evoke cathedral-like sonorities. The opening music gives way to a lyrical Aria and a concluding whirlwind Toccata. This rarely heard Ukrainian masterpiece combines classical architectural clarity and folkloristic vitality, offering the listener a passage into the Nordic landscapes conjured up by the two Danish composers.
Contents and tracklist
Awards and reviews
December 2025
Each of the composers in their different ways manages to create a surprisingly imaginative sound world, establishing a constructive dialogue in which accordion and the varied orchestral forces emerge as truly equal partners. Of course, the impact of the music is immeasurably enhanced by Bjarke Mogensen's dazzling playing.