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Chambonnières Overseas

Louise Acabo

Chambonnières Overseas
Playing a copy of an anonymous 1679 harpsichord, Acabo responds sensitively to the styles and demands of each piece. The dance numbers (including several by Chambonnières's English admirers)...

Chambonnières Overseas

Louise Acabo

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This release includes a digital booklet

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Playing a copy of an anonymous 1679 harpsichord, Acabo responds sensitively to the styles and demands of each piece. The dance numbers (including several by Chambonnières's English admirers)...

About

Alpha Classics proudly presents "Baroque Stories", a new series of recordings devoted to young talents in early music; its first recording introduces Louise Acabo, a French harpsichordist and winner of several international competitions who divides her time between Paris and Basel. She has chosen to devote her debut recording to Jacques Champion de Chambonnières (ca1601-1672), composer of more than 150 harpsichord pieces and the first French musician of the 17th century to publish volumes of works for harpsichord. "Once you have heard the harpsichord played by the Sieur de Chambonnières, you need hear nothing else”, stated the Harmonie universelle of 1636. It was this unique relationship with sound that appealed to Louise Acabo: "his writing, eminently vocal, demands that the player transcend the mechanical aspect of the instrument and approach its strength and fragility with suppleness". Although Chambonnières never left France, his work crossed borders and influenced composers abroad, the English in particular. Louise Acabo has constructed her own list of works from available sources, alternating works by Chambonnières with compositions by Locke, Preston and Bryne.

Contents and tracklist

Prelude (I)
Track length1:05
Allmain
Track length3:03
Prelude (II)
Track length0:59
Almain
Track length2:05
I. Allemande
Track length3:46
II. Gigue
Track length1:10
III. Courante
Track length1:26
IV. Sarabande
Track length3:18

Spotlight on this release

Awards and reviews

October 2025

Playing a copy of an anonymous 1679 harpsichord, Acabo responds sensitively to the styles and demands of each piece. The dance numbers (including several by Chambonnières's English admirers) are played in the delicate, cantabile manner for which Chambonnières was celebrated.

Awards Issue 2025

This beautifully realised debut album plus other performances viewed online suggests that in Acabo we are meeting a serene new talent.
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