Giacomelli: Cesare in Egitto
Arianna Vendittelli (Cesare), Emőke Baráth (Cleopatra), Margherita Maria Sala (Cornelia), Filippo Mineccia (Achilla), Valerio Contaldo (Tolomeo), Federico Fiorio (Lepido)
Accademia Bizantina, Ottavio Dantone
To be frank, Handel's score is on a consistently higher level than Giacomelli's, which is nevertheless worth a listen for its variety of moods and virtuosic writing, well managed by most of...
Giacomelli: Cesare in Egitto
Arianna Vendittelli (Cesare), Emőke Baráth (Cleopatra), Margherita Maria Sala (Cornelia), Filippo Mineccia (Achilla), Valerio Contaldo (Tolomeo), Federico Fiorio (Lepido)
Accademia Bizantina, Ottavio Dantone
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To be frank, Handel's score is on a consistently higher level than Giacomelli's, which is nevertheless worth a listen for its variety of moods and virtuosic writing, well managed by most of...
About
"The Italian conductor Ottavio Dantone breathes new life into Cesare in Egitto, an opera by Geminiano Giacomelli (1692-1740) based on a libretto written by Domenico Lalli with the assistance of a young collaborator not yet in his thirties: Carlo Goldoni. Cesare in Egitto, is considered to be Giacomelli’s masterpiece; his drammi per musica enjoyed great success in Parma, Venice, Milan, Rome, Turin and Graz. He also influenced the most eminent musicians of his time: Vivaldi, for example, used arias by Giacomelli in his pasticcio Bajazet. This world premiere recording was made with the Accademia Bizantina and first-rate soloists at the Innsbruck Festival, where Ottavio Dantone has been music director since 2024. "
Contents and tracklist
- Filippo Mineccia, Arianna Vendittelli, Margherita Maria Sala, Federico Fiorio, Valerio Contaldo, Emőke Baráth
- Accademia Bizantina
- Ottavio Dantone
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Awards and reviews
October 2025
To be frank, Handel's score is on a consistently higher level than Giacomelli's, which is nevertheless worth a listen for its variety of moods and virtuosic writing, well managed by most of the cast.
Awards Issue 2025
The scoring is modest...but, my goodness, the playing of the Accademia Bizantina seizes the attention...All the singers cope brilliantly with the lengthy roulades, and the cadenzas are relatively restrained.