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Bach's Horns

Solomon's Knot (early music ensemble), Zoë Brookshaw (soprano), Clare Lloyd-Griffiths (soprano), James Hall (vocalist), Kate Symonds-Joy (vocalist), Rory Carver (tenor), Thomas Herford (tenor), Alex Ashworth (bass-baritone), Jonathan Sells (bass-baritone), Zoë Brookshaw [Diana] (soprano), Thomas...

Bach's Horns

Awards:

Anneke Scott and Anna Drysdale's natural horns resound splendidly with visceral disruption, high-wire flamboyance or regal dignity (and sometimes all those elements at once).

Bach's Horns

Solomon's Knot (early music ensemble), Zoë Brookshaw (soprano), Clare Lloyd-Griffiths (soprano), James Hall (vocalist), Kate Symonds-Joy (vocalist), Rory Carver (tenor), Thomas Herford (tenor), Alex Ashworth (bass-baritone), Jonathan Sells (bass-baritone), Zoë Brookshaw [Diana] (soprano), Thomas...

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This release includes a digital booklet

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Awards:

Anneke Scott and Anna Drysdale's natural horns resound splendidly with visceral disruption, high-wire flamboyance or regal dignity (and sometimes all those elements at once).

About

With Bach's Horns, Solomon's Knot presents a boldly conceived album linking three of Bach's works through the shared presence of the horn--a symbol of festivity, nature, and nobility.

Central is the "Hunt Cantata" BWV 208, framed by the festive Mass in F major BWV 233 and the First Brandenburg Concerto BWV 1046, whose first movement serves as a jubilant overture, with other movements woven into the cantata.

The ensemble's historically informed performance highlights Bach's horn writing with stylistic assurance and vibrant expressiveness.

The Hunt Cantata, composed in 1713 for a duke's birthday, reveals courtly theatricality and pastoral charm, while the Mass offers a spiritual, contrapuntal counterpart featuring prominent horns.

Under Jonathan Sells, Solomon's Knot blends historical insight with lively, conductorless music- making, honouring Bach's ceremonial style and exploring the horn's symbolic grandeur and inventiveness.

Artists

Solomon's Knot (early music ensemble), Zoë Brookshaw (soprano), Clare Lloyd-Griffiths (soprano), James Hall (vocalist), Kate Symonds-Joy (vocalist), Rory Carver (tenor), Thomas Herford (tenor), Alex Ashworth (bass-baritone), Jonathan Sells (bass-baritone), Zoë Brookshaw [Diana] (soprano), Thomas Herford [Endymion] (tenor), Alex Ashworth [Pan] (bass-baritone), Clare Lloyd-Griffiths [Pales] (soprano)

Contents and tracklist

I. Kyrie eleison
Track length3:44
II. Gloria in excelsis Deo
Track length5:07
III. Domine Deus
Track length3:15
IV. Qui tollis peccata mundi
Track length5:50
V. Quoniam tu solus sanctus
Track length3:42
VI. Cum Sancto Spiritu
Track length2:22
I. Was mir behagt, ist nur die muntre Jagd! (Recitativo. Diana) [Live]
Track length0:43
II. Jagen ist die Lust der Götter (Aria. Diana) [Live]
Track length2:01
III. Wie, schönste Göttin? Wie? (Recitativo. Endymion) [Live]
Track length1:10
IV. Willst du dich nicht mehr ergötzen (Aria. Endymion) [Live]
Track length4:45
V. Ich liebe dich zwar noch! – So gönne mir, Diana (Recitativo. Diana, Endymion) [Live]
Track length2:19
VI. Ich, der ich sonst ein Gott (Recitativo. Pan)
Track length0:42
VII. Ein Fürst ist seines Landes Pan! (Aria. Pan) [Live]
Track length2:52
VIII. Soll denn der Pales Opfer (Recitativo. Pales) [Live]
Track length0:38
IX. Schafe können sicher weiden (Aria. Pales) [Live]
Track length4:10
X. So stimmt mit ein (Recitativo. Diana) [Live]
Track length0:11
XI. Lebe, Sonne dieser Erden (Coro. Diana, Pales, Endymion, Pan) [Live]
Track length2:30
XII. Entzücket uns beide (Duetto. Diana, Endymion) [Live]
Track length2:04
XIII. Weil die wollenreichen Herden (Aria. Pales) [Live]
Track length1:32
XIV. Ihr Felder und Auen (Aria. Pan) [Live]
Track length2:47
XV. Ihr lieblichste Blicke, ihr freudige Stunden (Coro. Diana, Pales, Endymion, Pan) [Live]
Track length3:15

Awards and reviews

  • Gramophone Magazine
    September 2025
    Editor's Choice
  • International Classical Music Awards
    2026
    Nominated - Baroque Vocal

September 2025

Anneke Scott and Anna Drysdale's natural horns resound splendidly with visceral disruption, high-wire flamboyance or regal dignity (and sometimes all those elements at once).
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