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Sparks From Ashes

Songs by Dvořák, Kaprálová, Bartók and Křička

Nicky Spence (tenor), Dylan Perez (piano)

Sparks From Ashes

Awards:

They plumb the emotions of youthful ardour from elation to despair with focused, idiomatic intensity.

Sparks From Ashes

Songs by Dvořák, Kaprálová, Bartók and Křička

Nicky Spence (tenor), Dylan Perez (piano)

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This release includes a digital booklet

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Awards:

They plumb the emotions of youthful ardour from elation to despair with focused, idiomatic intensity.

About

Hailed by The Daily Telegraph as ‘a voice of real distinction’, Nicky Spence possesses unique skills as a singing actor and a rare honesty of musicianship, all of which has earned him a place at the top of the classical music profession. Admired in particular for his interpretation of the music of Janácek, he has appeared worldwide in the composer’s operas. Performing here with the outstanding pianist Dylan Perez, he presents a varied programme of Czech and Slovak art song. Béla Bartók found his lifelong enthusiasm for folk music sparked whilst on holiday in Slovakia in 1904, when he heard a nursemaid singing. Village Scenes sets five folksongs from a large Slovakian collection published in 1915, and depicts various aspects of a country wedding. Jaroslav Kricka became a central figure in Czech musical life, occupying the posts of chorus master of the Czech Philharmonic and professor of composition at the Prague Conservatory, amongst others. His Three Fables are settings of traditional fairy tales. Vítezslava Kaprálová was a composer of great promise who died of TB in 1940, aged just twenty-five. She studied conducting with Václav Talich and composition with Vítezslav Novák before moving to Paris where she was taught by Bohuslav Martinu. Her song cycle Sparks from Ashes deals with themes of love – found, flourishing, and lost – as do the eighteen numbers of Dvorák’s song cycle Cypresses. Written by Kaprálová four years later, the haunting Waving Farwell was inspired by having to leave Prague for her new life in Paris.

Contents and tracklist

No. 1, Vy vroucí písně spějte
Track length2:31
No. 2, V té sladké moci očí tvých
Track length1:59
No. 3, V tak mnohém srdci mrtvo jest
Track length1:43
No. 4, Ó duše drahá jedinká
Track length1:18
No. 5, Ó byl to krásný zlatý sen
Track length2:48
No. 6, Já vím, že v sladké naději
Track length1:52
No. 7, Ó zlatá růže spanilá
Track length2:07
No. 8, Ó naší lásce nekvete
Track length2:05
No. 9, Kol domu se teď potácím
Track length1:32
No. 10, Mne často týrá pochyba
Track length2:05
No. 11, Mé srdce často v bolesti
Track length1:32
No. 12, Zde hledím na ten drahý list
Track length1:34
No. 13, Na horách ticho
Track length1:37
No. 14, Zde v lese u potoka
Track length3:16
No. 15, Mou celou duší zádumně
Track length2:12
No. 16, Tam stojí stará skála
Track length2:06
No. 17, Nad krajem vévodí lehký spánek
Track length1:57
No. 18, Ty se ptáš, proč moje zpěvy bouří
Track length3:22
No. 1, Pri hrabaní
Track length1:15
No. 2, Pri neveste
Track length1:37
No. 3, Svatba
Track length3:05
No. 4, Ukoliebavka
Track length4:37
No. 5, Tanec mládencov
Track length2:14
No. 1, Ty staré písně v duši zní mi
Track length2:57
No. 2, Jak na hedvábný mech
Track length2:23
No. 3, Ó zůstaň ještě, moje dívko drahá
Track length3:03
No. 4, A táhnou myšlenky teskné
Track length4:33
No. 1, O neposlušných kozlatech
Track length4:47
No. 2, Pohádka o kohoutkovi a slepičce
Track length4:28
No. 3, Jeřáb a volavka
Track length6:37

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    8th August 2025
  • International Classical Music Awards
    2026
    Nominated - Vocal Music

October 2025

They plumb the emotions of youthful ardour from elation to despair with focused, idiomatic intensity.

October 2025

[Spence] proves a wonderful raconteur in Křička's cautionary animal tales, beguilingly elegant until the mood darkens and savage irony takes over. Perez captures the wit, brilliance and bitterness of it all wonderfully well, too. A fine recital, and well worth hearing, for Kaprálová's wonderful songs above all.

8th August 2025

Spence’s relish of the Czech language comes across loud and clear. He’s particularly alive to the expressive possibilities of consonants, separating or delaying them for emotional effect, and he’s as eloquent when speaking low as he is at full cry..Perez covers himself in glory in the numerous virtuosic postludes, and throughout the programme there’s a lovely sense of the pair being absolutely in tune with one another in terms of rubato, phrasing and dynamic shading.

Opera Now 31st July 2025

This new album from Nicky Spence is really worth hearing...The first few songs [of Cypresses] display Spence’s fine legato and judicious use of portamento, and a wide range of vocal colours...In some songs Perez plays a supportive role and adeptly defines the mood, but he does get the chance to shine: the last Bartók song and the Křička push him more to the fore.
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