Help
Skip to main content

Tsippi Fleischer: Innovated Classics

Tsippi Fleischer, Fu'ad Rifka, Sasson Somekh, Shawki Abi-Shakra, Muhammad al-Maghut, Unsi al-Hajj, Al-Khansa (6th century), Yoav Weiss (soloist), Oded Hadar (soloist), Yuval Shapira (soloist), Ziv Stein (soloist), Yael Levita (vocalist), Christine Bohnenkamp (vocalist), Members of the Moravian Philharmonic...

Tsippi Fleischer: Innovated Classics

Tsippi Fleischer: Innovated Classics

Tsippi Fleischer, Fu'ad Rifka, Sasson Somekh, Shawki Abi-Shakra, Muhammad al-Maghut, Unsi al-Hajj, Al-Khansa (6th century), Yoav Weiss (soloist), Oded Hadar (soloist), Yuval Shapira (soloist), Ziv Stein (soloist), Yael Levita (vocalist), Christine Bohnenkamp (vocalist), Members of the Moravian Philharmonic...

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$18.25

320 kbps, MP3

$14.50

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

About

Contents and tracklist

No. 1, Piece of Earth
Track length2:28
No. 2, Eyelids
Track length1:25
No. 3, The Coffin with Its Lid Remote
Track length2:17
No. 4, Girl-Butterfly-Girl
Track length2:34
No. 1, Introduction; Your Swiftly-Saddled Horse
Track length7:44
No. 2, Refrain (b); You Appease the Thirsty Spear
Track length8:34
No. 3, Ballet
Track length8:19
No. 4, Refrain (c); He Found Rest
Track length5:27
No. 5, Every Morning at Sunrise
Track length2:57
No. 6, Refrain (d); I Shall Weep for you
Track length5:55
No. 1, First methodological unit: Solo
Track length0:36
No. 2, Second methodological unit: Special unison
Track length0:20
No. 3, Third methodological unit: Doublings I: The opening motif: kanun with two oboes
Track length0:46
No. 4, Third methodological unit: Doublings I: Return of the opening motif, with richer ensemble, including choir
Track length1:34
No. 5, Third methodological unit: Doublings I: Opening motif – kanun ‘ripped’ from ensemble performance
Track length0:14
No. 6, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling male and female voices in octaves
Track length1:13
No. 7, Fourth methodological unit: Doublings II: The ‘shajaru’ motif – kanun and cello doubling female voices in thirds
Track length0:35
No. 8, 1.      Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (a)
Track length0:56
No. 9, Fifth methodological unit: The kanun integrated into the texture: The kanun as an “accompanying carpet” for the vocal ensemble (b)
Track length1:10
No. 10, Sixth methodological unit: The kanun is prominent in the texture, virtuosic
Track length0:40
No. 1, Piece of Earth
Track length2:39
No. 2, Eyelids
Track length1:34
No. 3, The Coffin with Its Lid Remote
Track length2:24
No. 4, Girl-Butterfly-Girl
Track length2:31
View download progress