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Ravels

Quatuor Debussy, Franck Tortiller

Ravels
The performance of the Ravel Quartet is first rate, the Quatuor Debussy combining freshness with the nuance, refinement and freedom that comes from more than three decades' experience as an...

Ravels

Quatuor Debussy, Franck Tortiller

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This release includes a digital booklet

Stream now Hi-RES 88.2 kHz, 24 bit
The performance of the Ravel Quartet is first rate, the Quatuor Debussy combining freshness with the nuance, refinement and freedom that comes from more than three decades' experience as an...

About

Seven years after their album "Debussy… et le jazz", the artists of the Quatuor Debussy have conceived the idea of celebrating Ravel in three quite different ways. As well as the French composer’s famous Quartet, they have recorded a transcription by Alain Brunier of Ma mère l’Oye (the Mother Goose suite), as well as inviting vibraphone virtuoso Franck Tortiller to join in the fun by combining the original score of Le Tombeau de Couperin with jazz improvisations – an approach that Ravel, from all we know of him, probably would have greatly relished.

Contents and tracklist

I. Allegro moderato - Très doux
Track length8:24
II. Assez vif - très rythmé
Track length6:28
III. Très lent
Track length8:56
IV. Vif et agité
Track length5:29
I. Pavane de la Belle au bois dormant (Lent)
Track length1:26
II. Petit Poucet (Très modéré)
Track length3:28
III. Laideronnette, Impératrice des Pagodes (Mouvement de Marche)
Track length3:18
IV. Les entretiens de la Balle et de la Bête (Mouvement de Valse très modéré)
Track length4:19
V. Le jardin féérique (Lent et grave)
Track length3:48
I. Prélude
Track length3:08
II. Forlane
Track length3:13
III. Menuet
Track length3:10
IV. Comme la fugue
Track length2:36
V. Rigaudon
Track length3:40

Awards and reviews

October 2025

The performance of the Ravel Quartet is first rate, the Quatuor Debussy combining freshness with the nuance, refinement and freedom that comes from more than three decades' experience as an ensemble.

August 2025

This is a performance of real character. All voices are laid out before us equally, each projecting with occasionally disconcerting clarity (ie the very opening).
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