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Handel: Memoirs 5

Dominik Wörner (bass), Kristina Hammarström (mezzo-soprano), Richard Wistreich, Musica Saeculorum, Philipp von Steinaecker

Handel: Memoirs 5

Handel: Memoirs 5

Dominik Wörner (bass), Kristina Hammarström (mezzo-soprano), Richard Wistreich, Musica Saeculorum, Philipp von Steinaecker

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Contents and tracklist

Pt. 1 No. 11, The People That Walked In Darkness (Bass)
Track length4:03
Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto)
Track length5:01
Pt. 2 No. 36, The Lord Gave the Word (Chorus)
Track length1:06
Observations on the works: Before we enter on the examinations
Track length0:41
Observations on the works: Music is founded on established rules
Track length0:42
Observations on the works: The rules are derived from experience
Track length0:38
Observations on the works: The former of these
Track length0:36
Observations on the works: Such passages
Track length0:35
Observations on the works: Hence too we may conclude
Track length0:31
Observations on the works: As tste implies a natural sensibility
Track length0:32
Observations on the works: Art is here not only useless, but dangerous
Track length0:31
German and italian styles, Handel's preference for the italian: What gives me the fuller assurance
Track length0:37
German and italian styles, Handel's preference for the italian: The Taste in Music
Track length0:39
German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymen
Track length0:33
German and italian styles, Handel's preference for the italian: When we consider two kinds of Music
Track length0:32
German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated part
Track length0:33
German and italian styles, Handel's preference for the italian: This appeares from particular instances
Track length0:35
Italian music since Palestrina: The Old Music, such as it was at the time of Palestrina
Track length0:32
Italian music since Palestrina: It happened, as it naturally must
Track length0:37
Italian music since Palestrina: For their instrumental parts
Track length0:34
Italian music since Palestrina: The one is, that they have little time for composing
Track length0:35
Italian music since Palestrina: Almost every composer of genius in Italy
Track length0:37
Italian music since Palestrina: This in some degree
Track length0:46
Interaction between Handel and the italians: From all that has been said
Track length0:52
Interaction between Handel and the italians: And as some proof of Handel's influence in Italy
Track length0:52
Value of harmony and melody: But in order to make a right judgement
Track length0:39
Value of harmony and melody: The concertos of Tartini
Track length0:38
Value of harmony and melody: Rousseau has developed this matter wonderfully
Track length0:48
Value of harmony and melody: His uncommon strenght in the instrumental way
Track length0:47
Value of harmony and melody: It may also be added
Track length0:41
Value of harmony and melody: Yet in many others all parts are so nicely adjusted
Track length0:42
Value of harmony and melody: The best Painter would be blamed
Track length0:37
Uneven success in Handel: To speak the plain truth
Track length0:40
Uneven success in Handel: A gentleman whom he had desired
Track length0:38
Uneven success in Handel "Un disprezzato affetto"
Track length0:40
Tartini as example of vocal writing for instruments: Here too we will see
Track length0:31
Tartini as example of vocal writing for instruments: After all the vocal species
Track length0:33
Tartini as example of vocal writing for instruments: As most difficult passages
Track length0:59
Importance of textual considerations in composition: And here I just may take notice
Track length0:38
Importance of textual considerations in composition: A too close attachment
Track length0:35
Importance of textual considerations in composition: The English tongue
Track length0:45
Importance of textual considerations in composition: If it abounds with noble images
Track length0:40
Exceptional nature of Handels choral music: In his Chorusses he is without a rival
Track length0:45
Exceptional nature of Handels choral music: It is true that in the admirable epistle
Track length0:37
Exceptional nature of Handels choral music: But there are many reasons
Track length0:34
Exceptional nature of Handels choral music: It is however no way improbable
Track length0:37
Effects of Handel's oratorio style, Messiah: As his Oratorios
Track length0:38
Effects of Handel's oratorio style, Messiah: After these vast efforts of genius
Track length0:50
Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conception
Track length0:46
Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal Music
Track length0:55
Duets, trios and Acis and Galatea: The Duettos and Terzettos were made at different times
Track length0:40
Duets, trios and Acis and Galatea: The author hat only himself to please
Track length1:11
Duets, trios and Acis and Galatea: It was not to be disembled
Track length0:45
Duets, trios and Acis and Galatea: The Duetto beginning Amiravi mio sono intento
Track length0:47
Duets, trios and Acis and Galatea: Among the Trios "Quando non ho più core"
Track length0:51
Duets, trios and Acis and Galatea: Though the Duettos and Trios in his Operas and Oratorios
Track length0:50
Duets, trios and Acis and Galatea: The Cantatas now remaining
Track length0:37
Qualities of instrumental music: In his Music for Instruments
Track length0:40
Qualities of instrumental music: Tho' no man ever introduced such a number of instruments
Track length0:34
Keyboard music: Harpsichord Lessons
Track length0:36
Keyboard music: Indeed there seems to be more work in that
Track length0:31
Place and significance of religion and humanity in Handel's works
Track length1:10
Exemplary character of Handel's works: The hopes of rendering some service to Music
Track length0:58
Exemplary character of Handel's works: At all events
Track length0:38
Exemplary character of Handel's works: Our most fashonable Music
Track length0:31
Pt. 2 No. 28, He Trusted In God That He Would Deliver Him (Chorus)
Track length2:14
Pt. 1 No. 17, Glory to God In the Highest (Chorus)
Track length1:55
Pt. 2 No. 43, Hallelujah! (Chorus)
Track length3:39
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