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New. Handel: Memoirs 4

Daniel Johannsen (tenor), Richard Wistreich, Musica Saeculorum, Philipp von Steinaecker

Handel: Memoirs 4

New. Handel: Memoirs 4

Daniel Johannsen (tenor), Richard Wistreich, Musica Saeculorum, Philipp von Steinaecker

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About

In the resonant acoustics of the Kartause Mauerbach, an important event in early music took place: the debut recording of the young lutenist Evangelina Mascardi. Born in Buenos Aires in 1977 and considered one of the most prominent lute players on the international scene.

On this recording the carefully compiled program is a profound statement, a musical dialogue across time and style that juxtaposes the two giants of the late Baroque lute: Sylvius Leopold Weiss and Johann Sebastian Bach. Through her masterful artistry, Mascardi presents herself as an impressive talent and sensitively explores the essence of the lute repertoire. Over the last decade she has collaborated regularly as a continuo-player with various ensembles, including Jordi Savall (Hespèrion XXI), Marc Minkowsky (Les Musiciens du Louvre), and Simon Rattle (Berliner Philarmoniker). Nowadays, she confines her collaboration to Ensemble Zefiro (Alfredo Bernardini) and Monteverdi Choir (Sir John Eliot Gardiner), in order to mainly focus on solo lute repertoire.

Contents and tracklist

Pt. 1 No. 1, Sinfony (Orchestra)
Track length3:31
Pt. 1 No. 2, Comfort Ye My People (Tenor)
Track length3:02
Pt. 1 No. 3, Every Valley Shall Be Exalted (Tenor)
Track length3:11
Move to Covent Garden: He now removed to Conventgarden
Track length0:31
Move to Covent Garden: He could not beleive
Track length0:36
Move to Covent Garden: The opposition in which they were engaged
Track length0:35
Move to Covent Garden: From hence he gradually
Track length0:35
Move to Covent Garden: By this journey
Track length0:43
Move to Covent Garden: There were but few persons
Track length0:32
Move to Covent Garden: At the end of three or four years
Track length0:31
Move to Covent Garden: The observation that misfortunes
Track length0:32
Cure in Aachen: In this melancholic state
Track length0:36
Cure in Aachen: Whoever knows any thing
Track length0:49
The Haymarket Theatre: Soon after his return to London in 1736
Track length0:32
The Haymarket Theatre: He made two operas for his Lordship
Track length0:36
The Haymarket Theatre: The sense of his abilities
Track length0:40
The Haymarket Theatre: But he was so averse
Track length0:40
The Haymarket Theatre: Esther was made originally for the Duke of Chandois
Track length0:31
The Haymarket Theatre: But the very sacredness and solemnity
Track length0:43
A turn of attention to Oratorio In times when narrow notions
Track length0:32
A turn of attention to Oratorio: Would not action and gesticulation
Track length0:33
A turn of attention to Oratorio: Racine's Estehr and Athaliah
Track length0:48
A turn of attention to Oratorio: The distance of this theatre
Track length0:35
A turn of attention to Oratorio: But at this time his affairs
Track length0:32
In Dublin Messiah as benefit concert: Dublin has always been famous
Track length0:36
In Dublin Messiah as benefit concert: There was a preculiar propriety
Track length0:32
In Dublin Messiah as benefit concert: Mr. Pope
Track length0:27
In Dublin Messiah as benefit concert: But soon, ah soon, rebellion will commence
Track length0:32
Return to London: At his return to London
Track length0:31
Return to London: Indeed, in the year 1743
Track length0:31
Return to London: It is sufficient
Track length0:31
Messiah for the Foundling Hospital, Death: The Foundling Hospital originally rested
Track length0:42
Messiah for the Foundling Hospital, Death: By these vast numbers of the nobility
Track length0:38
Messiah for the Foundling Hospital, Death: The very successful application
Track length0:40
Blindness, Loss of appetite, The character of the man to explain the artist: In the year 1751
Track length0:44
Blindness, Loss of appetite, The character of the man to explain the artist: This must appear the more surprising
Track length0:35
Blindness, Loss of appetite, The character of the man to explain the artist: Those, who have blamed him
Track length0:35
Blindness, Loss of appetite, The character of the man to explain the artist: He certainly paid more attention to it
Track length0:38
Blindness, Loss of appetite, The character of the man to explain the artist: Had he hurt his health
Track length0:35
Blindness, Loss of appetite, The character of the man to explain the artist: It was thought better to leave the Reader
Track length0:47
Blindness, Loss of appetite, The character of the man to explain the artist: So that this connection
Track length0:53
Catalogue of the works, Overview and general remarks: Catalogue of the works
Track length0:56
Catalogue of the works, Overview and general remarks: In the followin Catalogue
Track length1:04
List of works: Theatrical Music
Track length0:35
List of works: Amadigi
Track length0:31
List of works: Giulio Cesare
Track length0:32
List of works: Admeto
Track length0:32
List of works: Sosarme
Track length0:31
List of works: Atalanta
Track length0:31
List of works: Alessandro Severo
Track length0:34
List of works: Athalia
Track length0:36
List of works: Semele
Track length0:38
List of works: Judas Maccabaeus
Track length0:36
List of works: Triumph of Time and Truth
Track length0:47
List of works: Several Anthems made for the Duke of Chandois
Track length0:34
List of works: Chamber Duettos
Track length0:38
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