Mieczysław Weinberg: String Quartets, Vol. 5
Arcadia Quartet
One of the great virtues of the Arcadia Quartet's outstandingly performed Weinberg quartet cycle lies is its imaginative programming. The present release is a good case in point, featuring works...
Mieczysław Weinberg: String Quartets, Vol. 5
Arcadia Quartet
Purchase product
One of the great virtues of the Arcadia Quartet's outstandingly performed Weinberg quartet cycle lies is its imaginative programming. The present release is a good case in point, featuring works...
About
The Arcadia Quartet reaches the penultimate release in its acclaimed complete Weinberg string quartets series with this volume, featuring Quartets Nos 3, 9, and 14.
As in previous volumes, the works are taken from contrasting periods of Weinberg’s compositional development, and so present a varied programme that works in its own right. Quartet No. 3, composed in 1944, could be considered as the first ‘mature’ quartet, and is set in three movements. The Ninth Quartet, composed in 1963, dates from his self-described ‘starry decade’, when his work was championed by a significant group of enthusiastic performers, including Emil Gilels, Leonid Kogan, Kirill Kondrashin, Rudolf Barshai, and the Borodin Quartet. Quartet No. 14 dates from 1978, three years after the death of Weinberg’s great friend and mentor Shostakovich: a time when Wein berg was questioning and renewing his artistic identity. The album also includes the short Improvisation and Romance, from 1950.
Contents and tracklist
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Awards and reviews
June 2025
One of the great virtues of the Arcadia Quartet's outstandingly performed Weinberg quartet cycle lies is its imaginative programming. The present release is a good case in point, featuring works that were written over a period of 30 years in which the composer’s musical language evolved into a much grittier and hard-hitting mode of expression.
June 2025
The Arcadia Quartet in a short text in the booklet say that Weinberg’s ‘music is like a glow of light surrounded by the darkness of the unknown’. That’s a quality you will find in their interpretations. To my ears it is the warm glow of dying embers at which you look with half-open eyes.