Special offer. Khachaturian: The Dancing Violin
David Haroutunian, Xénia Maliarevitch (piano)
[The Violin Sonata] is in two movements, and the first – sweetly lyrical – has intimate charm; the way it's played here evokes a peaceful musical landscape. The violin part in the second has...
Special offer. Khachaturian: The Dancing Violin
David Haroutunian, Xénia Maliarevitch (piano)
Purchase product
[The Violin Sonata] is in two movements, and the first – sweetly lyrical – has intimate charm; the way it's played here evokes a peaceful musical landscape. The violin part in the second has...
About
A meeting between violinist David Haroutunian and Karen Khachaturian, son of the legendary composer Aram Khachaturian, inspired this new recording. Following their encounter in Paris at a concert marking the 40th anniversary of Aram Khachaturian's passing, Karen entrusted David with the score of an unpublished sonata for violin and piano, written by his father in the early 1930s. Avant-garde in style and structured in two unique movements, the sonata stands as a remarkable masterpiece, both profound and accessible to a wide audience. "My discovery of this sonata sparked an intense desire to record all of Khachaturian's works for violin, as no such comprehensive recording, to my knowledge, exists," David explains. Together with pianist Xenia Maliarevitch, he set out to capture not only Khachaturian's original compositions for solo violin and violin-piano duo but also selected arrangements of his most iconic works, including excerpts from Gayaneh and the Sabre Dance arranged by Jascha Heifetz. This album also features a previously unrecorded Dance from 1925, adding to the rich legacy of Khachaturian's music.
Contents and tracklist
- David Haroutunian, Xénia Maliarevitch
- David Haroutunian, Xénia Maliarevitch
- David Haroutunian, Xénia Maliarevitch
- David Haroutunian
- David Haroutunian, Xénia Maliarevitch
- David Haroutunian, Xénia Maliarevitch
- David Haroutunian
- David Haroutunian, Xénia Maliarevitch
- David Haroutunian, Xénia Maliarevitch
Spotlight on this release
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Awards and reviews
May 2025
[The Violin Sonata] is in two movements, and the first – sweetly lyrical – has intimate charm; the way it's played here evokes a peaceful musical landscape. The violin part in the second has more of a cutting edge, but it's still tonal and only gently Modernist: a far cry from the swashbuckling music of the ballet score for Gayaneh wh ic h we normally associate with Aram Khachaturian’s name.