Mozart: Haffner-Akademie
Ensemble Resonanz, Riccardo Minasi, Anna Prohaska (soprano)
Prohaska shows her truly impressive dramatic range in the central arias: in ‘ Come scoglio’ (f rom Così) she gives us steely defiance and remarkable vocal dexterity; in ‘Non più di fiori ’ (Clemenza...
Mozart: Haffner-Akademie
Ensemble Resonanz, Riccardo Minasi, Anna Prohaska (soprano)
Purchase product
Prohaska shows her truly impressive dramatic range in the central arias: in ‘ Come scoglio’ (f rom Così) she gives us steely defiance and remarkable vocal dexterity; in ‘Non più di fiori ’ (Clemenza...
About
In this superb programme structured around major pieces composed in the last ten years of Mozart’s life, Anna Prohaska and Riccardo Minasi sweep away the image of the well-mannered figure that tradition has tended to impose. They paint a bracingly complex portrait of the Salzburger after his move to Vienna, subtly blending the maestro’s historical expertise with the vigour and freshness of Resonanz, here in electrifying form.
Contents and tracklist
Mozart:
Le nozze di Figaro, K. 492, Act IV Scene 10: Recitative. Giunse alfin il momento
Work length1:10
Mozart:
Die Entführung aus dem Serail, K. 384, Act II Scene 2: Recitative. Welcher Wechsel herrscht
Work length2:03
Mozart:
Die Entführung aus dem Serail, K. 384, Act II Scene 2: Aria. Traurigkeit ward mir zum Lose
Work length7:11
Mozart:
Idomeneo, re di Creta, K. 366, Act III Scene 10: Recitative. Oh smania! Oh furie!
Work length2:15
Mozart:
La clemenza di Tito, K. 621, Act II Scene 15: Recitative. Ecco il punto, o Vitellia
Work length1:51
- Anna Prohaska, Ensemble Resonanz, Herbert Schuch, Riccardo Minasi
Awards and reviews
June 2025
Prohaska shows her truly impressive dramatic range in the central arias: in ‘ Come scoglio’ (f rom Così) she gives us steely defiance and remarkable vocal dexterity; in ‘Non più di fiori ’ (Clemenza di Tito) she displays her astonishing range (two and a half completely secure octaves); and in ‘D’Oreste;’ (Idomeneo) her voice abandons sweetness for the authenticity of breathless, uncertain anguish.
June 2025
Can we still find new things to say about Mozart? These performers prove we can.
