Why on earth has [the Tailleferre] languished forgotten for the last hundred years? It allows Langlamet to exhibit her delicate virtuosity, but its main virtue lies in the kaleidoscopic brilliance of its orchestral effects, which proclaim her links with the Parisian composers known as Les Six.

Gallic charm and wit infused with a touch of Stravinsky is how I’d describe i[the Tailleferre] Langlamet and her Berliners (now with additional woodwind, brass and, very briefly, percussion) offer a performance that will make you wonder why it is not heard more often, its atmospheric slow movement topped by a rustic rondo earworm.