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Special offer. Kate Liu Plays Beethoven & Brahms

Kate Liu (piano)

Kate Liu Plays Beethoven & Brahms

Awards:

Throughout, Liu’s fingerwork is unfailing...and her balances are breathtaking, especially in passages featuring superimposed rhythms. Overall, a major appearance by a pianist who has remained...

Special offer. Kate Liu Plays Beethoven & Brahms

Kate Liu (piano)

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CD

Original price $17.25 Reduced price $13.80

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96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($17.50) Reduced price $12.25

44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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Awards:

Throughout, Liu’s fingerwork is unfailing...and her balances are breathtaking, especially in passages featuring superimposed rhythms. Overall, a major appearance by a pianist who has remained...

About

Pianist Kate Liu rose to international prominence after winning the Bronze Medal and Best Mazurka Prize at the 17th International Fryderyk Chopin Competition in Warsaw, along with the audience prize from the Polish public. Since then, Liu has performed on prestigious stages worldwide including Carnegie's Weill Hall and the Kennedy Center, collaborating with renowned orchestras such as the Cleveland Orchestra and the Orchestre Symphonique de Montreal. Born in Singapore, Kate Liu began her piano studies at the age of four and moved to the U.S. at eight, eventually earning degrees from the Curtis Institute and The Juilliard School. Her latest recording spans two pianistic masterpieces, Beethoven's Sonata No. 31, and the 3rd Sonata of Brahms.

Contents and tracklist

I. Moderato cantabile molto espressivo
Track length8:12
II. Allegro molto
Track length2:26
III. Adagio ma non troppo
Track length12:50
I. Allegro maestoso
Track length13:44
II. Andante espressivo
Track length14:17
III. Scherzo. Allegro energico
Track length5:28
IV. Intermezzo. Andante molto
Track length4:05
V. Finale. Allegro moderato ma rubato
Track length9:00

Awards and reviews

  • Gramophone Magazine
    March 2025
    Editor's Choice

March 2025

Throughout, Liu’s fingerwork is unfailing...and her balances are breathtaking, especially in passages featuring superimposed rhythms. Overall, a major appearance by a pianist who has remained too deeply in the shadows.
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