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Handel: Lotario

Rafał Tomkiewicz (countertenor), Krystian Adam (tenor), Ki-Hyun Park (bass), Anna Bonitatibus (mezzo-soprano), Francesca Lombardi Mazzulli (soprano), Carlo Vistoli (countertenor), Händelfestspielorchester Halle, Attilio Cremonesi

Handel: Lotario
Carlo Vistoli strikes a convincing balance between fluency, melodiousness and technical surety; his finest moment is ‘Non disperi peregrino’, an evocation of a pilgrim unworried by nightfall...

Handel: Lotario

Rafał Tomkiewicz (countertenor), Krystian Adam (tenor), Ki-Hyun Park (bass), Anna Bonitatibus (mezzo-soprano), Francesca Lombardi Mazzulli (soprano), Carlo Vistoli (countertenor), Händelfestspielorchester Halle, Attilio Cremonesi

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Carlo Vistoli strikes a convincing balance between fluency, melodiousness and technical surety; his finest moment is ‘Non disperi peregrino’, an evocation of a pilgrim unworried by nightfall...

About

Handel’s success with Italian-style opera in London had passed its initial peak by 1729. Lotario – a tale of revenge and heroism based on events in the life of Holy Roman Empress Adelaide of Italy – was the first of a new series of works intended to revive interest and challenge society’s new ‘vile taste’ for satire and light entertainment. Despite being one of Handel’s least-known operas, it displays his renowned talent for writing convincing drama with melodically rich and emotionally charged arias. This live recording is performed on period instruments by the Händelfestspielorchester Halle.

Contents and tracklist

Aria. Grave è 'l fasto di regnar (Berengario)
Track length3:19
Recitative. Signor, vuole il mio fato - Scene 2: Recitative. Alto Signor, dall'Alpi - Scene 3: Recitative. Sposo! - Regina! (Idelberto, Berengario, Clodomiro, Matilde)
Track length2:54
Recitative. Madre, e Reina! (Idelberto, Matilde)
Track length0:48
Aria. Vanne a colei che adori (Matilde)
Track length4:52
Recitative. Finch'io non chiuda (Idelberto)
Track length0:12
Aria. Per salvarti, idolo mio (Idelberto)
Track length5:11
Accompagnato. Soglio, degli avi miei retaggio illustre (Adelaide)
Track length0:44
Recitative. Attenta ogni mio cenno - Scene 6: Recitative. Bella Reina: il cielo (Adelaide, Lotario)
Track length1:59
Aria. Rammentati, cor mio (Lotario)
Track length6:24
Recitative. Or venga il messaggiero - Scene 7: Recitative. Regina, anche fra l'armi (Adelaide, Clodomiro)
Track length1:11
Recitative. Nel ciel si speri, e poi… (Adelaide, Lotario)
Track length0:51
Aria. Quel cor che mi donasti (Adelaide)
Track length7:01
Recitative. O del mio caro ben voci gradite (Lotario)
Track length0:21
Aria. Già mi sembra al carro avvinto (Lotario)
Track length3:11
Chorus. Viva e regni fortunato (Tutti)
Track length1:37
Recitative. Popoli generosi - Scene 10: Recitative. Dell'altrui fellonia (Berengario, Matilde, Adelaide, Clodomiro, Idelberto)
Track length2:32
Aria. Orgogliosetto va l'augelletto (Matilde)
Track length1:26
Recitative. Quanto più fien tenaci (Adelaide)
Track length0:22
Aria. Scherza in mar la navicella (Adelaide)
Track length6:10
Recitative. Se del fiero tiranno (Lotario)
Track length0:15
Aria. Tiranna, ma bella (Lotario)
Track length2:37
Recitative. Con due doni, Adelaide (Clodomiro, Adelaide)
Track length0:46
Aria. Non t'inganni la speranza (Clodomiro)
Track length2:53
Recitative. Di miglior genitor figlio (Adelaide, Idelberto)
Track length0:25
Aria. Bella, non mi negar (Idelberto)
Track length2:31
Accompagnato. Sommo rettor del cielo (Adelaide)
Track length0:45
Aria. D'una torbida sorgente (Adelaide)
Track length2:41
Aria. Quanto più forte è il valor (Lotario)
Track length1:44
Recitative. Presi gli ostaggi - Scene 12: Lotario, alza la fronte - Scene 13: No, no, colla mia vita - Scene 14: Berengario, rifletti (Lotario, Matilde, Idelberto, Adelaide, Berengario)
Track length3:01
Recitative. Alla tenda reale vada Idelberto (Lotario)
Track length0:29
Aria. Non disperi peregrino (Lotario)
Track length7:27
Sinfonia
Track length0:27
Recitative. Sciolta dalle catene - Scene 2: Recitative. Vieni, o bella Adelaide (Matilde, Berengario, Adelaide)
Track length2:54
Recitative. Ben conosce Adelaide (Berengario, Matilde)
Track length0:52
Aria. Vi sento, sì, rimorsi entro al mio sen (Berengario)
Track length4:58
Recitative. Non mi tradir, speranza (Matilde)
Track length0:13
Aria. Quel superbo già si crede (Matilde)
Track length2:13
Recitative. Berengario al mio campo (Lotario)
Track length0:26
Sinfonia
Track length0:39
Recitative. Misero me! - Scene 6: Ah! Signor - Scene 7: A tempo qui giungesti - Scene 8: Alla regal mia tenda - Scene 10: Inclito Re, Pavia (Lotario, Idelberto, Berengario)
Track length2:18
Recitative. Lasciami, iniquo figlio! (Matilde, Idelberto)
Track length0:42
Aria. Impara, codardo (Matilde)
Track length3:20
Recitative. Omai non v'è più speme, alta Reina (Clodomiro, Matilde, Idelberto)
Track length0:49
Aria. S'è delitto trar da' lacci un' innocente (Idelberto)
Track length2:37
Accompagnato. Furie del crudo averno, e dove siete? (Matilde)
Track length1:28
Recitative. Ecco la cruda - Scene 14: Matilde, e qual furore? - Scene 15: Lascia, mio Re - Scene 16: Deh! Mia Reina (Lotario, Matilde, Berengario, Adelaide, Idelberto)
Track length2:24
Duet. Sì, bel sembiante (Adelaide, Lotario)
Track length6:08
Recitative. Cessi di Marte (Lotario)
Track length0:11
Chorus. Gioie e serto (Tutti)
Track length2:03

Awards and reviews

February 2025

Carlo Vistoli strikes a convincing balance between fluency, melodiousness and technical surety; his finest moment is ‘Non disperi peregrino’, an evocation of a pilgrim unworried by nightfall at the close of Act 2.
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