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Strauss: Ein Heldenleben; Don Juan

Henry Raudales, Lowie Peeters (stageengineer), Brussels Philharmonic, Kazushi Ono

Strauss: Ein Heldenleben; Don Juan
If the sound is sometimes a little soupy, there are lovely solos from the lead violin and a great sense of distance from the offstage brass – and the orchestra often achieves real passion.

Strauss: Ein Heldenleben; Don Juan

Henry Raudales, Lowie Peeters (stageengineer), Brussels Philharmonic, Kazushi Ono

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If the sound is sometimes a little soupy, there are lovely solos from the lead violin and a great sense of distance from the offstage brass – and the orchestra often achieves real passion.

About

This live recording is a showcase for the Brussels Philharmonic and its conductor, Kazushi Ono, while giving a rare energy and drive to scores which demand them.

The immersive Dolby Atmos recording emphasizes the virtuoso and spectacular side of Strauss' gorgeous orchestration.

Revolutionising the symphonic poem, a genre known for depicting stories through music,Richard Straussinitially draws inspiration from literary and philosophical sources. His works transcended traditional storytelling. Don Juan (1889) marked a pivotal moment, as Strauss shifted from a classical style to a bold, modernist vision. In Ein Heldenleben, Debussy's praise of its 'cinematography' highlights Strauss' ability to capture universal struggles through intricate orchestration. This CD showcases his mastery, inviting you to experience the profound emotional depth and innovative approach that define his legacy.

Contents and tracklist

I. Der Held
Track length4:33
II. Des Helden Widersacher
Track length3:25
III. Des Helden Gefährtin
Track length14:01
This track is only available as an album download.
IV. Des Helden Walstatt
Track length7:27
V. Des Helden Friedenswerke
Track length6:18
VI. Des Helden Weltflucht und Vollendung
Track length12:59
This track is only available as an album download.

Awards and reviews

January 2025

If the sound is sometimes a little soupy, there are lovely solos from the lead violin and a great sense of distance from the offstage brass – and the orchestra often achieves real passion.
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