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Schubert

Aimi Kobayashi (piano)

Schubert
The colouring is careful, the moments of spaciousness profoundly musical.

Schubert

Aimi Kobayashi (piano)

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The colouring is careful, the moments of spaciousness profoundly musical.

About

Aimi Kobayashi, who rose to prominence as a prizewinner at the 2021 International Chopin Piano Competition, has been praised by Gramophone as a pianist who can “rivet the attention through fine-drawn line and hushed dynamics as much as through vivid gesture and brute force”.

She now follows Warner Classics albums of Chopin and Liszt with a Schubert recital: the four Impromptus D935, the Sonata in C minor D958 and the Rondo in A major D951, a substantial piece for two players at one piano.

Joining her for the duet is Kyohei Sorita, a fellow laureate of the Chopin competition – and also her husband.

“Schubert's music has a special beauty that is unique to him,” she says. “The pieces I recorded for the album were written towards the end of his life, when he was 30 or 31 years old. I will turn 30 in 2025 ... I thought it would be meaningful for me to play them at the same age that this composer of genius wrote them ...Schubert’s works are lonely, but full of tenderness … It is as if the composer is conscious of death, but in the midst of it, he discovers a little happiness and expresses it in his music.”

Contents and tracklist

No. 1 in F Minor
Track length10:06
This track is only available as an album download.
No. 2 in A-Flat Major
Track length8:59
No. 3 in B-Flat Major
Track length12:35
This track is only available as an album download.
No. 4 in F Minor
Track length6:35
I. Allegro
Track length8:27
II. Adagio
Track length9:13
III. Menuetto. Allegro - Trio
Track length3:25
IV. Allegro
Track length9:54

Spotlight on this release

Awards and reviews

February 2025

The colouring is careful, the moments of spaciousness profoundly musical.

January 2025

Aimi Kobayashi is not a pianist who leaves details to chance. Although she’s hardly a micromanager or fussbudget, her propensity for planning ahead walks a thin line between sensitivity and blandness in the Schubert Impromptus, D935.
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