Tchaikovsky: The Seasons
Bruce Liu (piano)
Awards:
-
Presto Recording of the Week, 8th November 2024
This release will delight Tchaikovsky aficionados, offering a healthy, highly expressive and, above all, pleasurable approach to the piano on the most basic level. It demonstrates fresh music-making...
Tchaikovsky: The Seasons
Bruce Liu (piano)
Purchase product
Awards:
-
Presto Recording of the Week, 8th November 2024
This release will delight Tchaikovsky aficionados, offering a healthy, highly expressive and, above all, pleasurable approach to the piano on the most basic level. It demonstrates fresh music-making...
About
Exceptional pianist Bruce Liu, winner of the 2021 International Chopin Competition, has recorded Tchaikovsky's most famous solo piano work “The Seasons” for his second studio album.
With his unique interpretation of The Seasons, Liu brings the colors and moods of each month to life, once again showcasing his exceptional talent and profound musicality. Acclaimed by the press as a “pianist with a captivating musical personality” (Financial Times) and for his distinctive blend of “feline agility and lightness of touch” (New York Times), Liu recently won the OPUS Classical Award for his first studio album “Waves”.
Contents and tracklist
- Bruce Liu (piano)
- Recorded: 2024-01-23
- Recording Venue: Siemensvilla, Berlin
- Bruce Liu (piano)
- Recorded: 2024-01-23
- Recording Venue: Siemensvilla, Berlin
Spotlight on this release
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.
Awards and reviews
-
Presto Recording of the Week8th November 2024
December 2024
This release will delight Tchaikovsky aficionados, offering a healthy, highly expressive and, above all, pleasurable approach to the piano on the most basic level. It demonstrates fresh music-making unadorned by superficial virtuosity or the encrustations of received wisdom.
8th November 2024
Liu is a precise player, and understatement is a central quality of his interpretation. His articulation is exacting, and his dynamic shadings are subtle, with a particularly well controlled pianissimo. The piano is close-mic’d, but the recording matches Liu’s intimate sense of scale and happily avoids the practice of artificially stretching the size of the instrument as some engineers do.
14th November 2024
His playing is exquisitely polished, but free of mannerisms; every phrase seems to have a totally natural shape and its own colour...The whole disc is a model of ego-free piano playing.