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Special offer. Ronald Stevenson: Piano Works

Peter Jablonski (piano)

Stevenson’s piano-writing is idiomatic to the bone, if never attaining the scintillation and fluency of a Rachmaninov. Happily, Peter Jablonski makes a judicious and cannily programmed case...

Special offer. Ronald Stevenson: Piano Works

Peter Jablonski (piano)

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CD

Original price $18.25 Reduced price $12.77

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96 kHz, 24 bit, FLAC/ALAC/WAV

Original price ($17.50) Reduced price $12.25

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($13.00) Reduced price $9.00

320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit
Stevenson’s piano-writing is idiomatic to the bone, if never attaining the scintillation and fluency of a Rachmaninov. Happily, Peter Jablonski makes a judicious and cannily programmed case...

About

Ronald Stevenson, still unknown to many outside the British Isles, is considered by several pianists as among one of the most important pianist-composers of the 20th Century. Following the tradition of many great pianists, Stevenson created piano transcriptions from the works of other composers and also wrote music in a variety of styles. This piano album by Peter Jablonski offers a compelling portrait of the Scottish piano master. The album includes four world premiere recordings.

Contents and tracklist

Introduction and Gypsy March
Track length3:53
Gypsy Song
Track length3:02
Lullaby
Track length2:28
Cracovienne
Track length4:08
Romance from Concerto in D minor, Mozart K466, realised by Ronald Stevenson (2002)
Track length8:57
Quintet from The Mastersingers, ‘elaborated for left hand alone’, Wagner-Wittgenstein (1980)
Track length5:54
I. Agitato / Largo
Track length1:38
II. Lento funebre
Track length1:44
III. Andantino (alla mazurka)
Track length1:03
IV. Lento sostenuto
Track length1:10
V. Allegro agitato, con urgenza
Track length1:23
VI. Non agitato / Largo
Track length2:19

Awards and reviews

December 2024

Stevenson’s piano-writing is idiomatic to the bone, if never attaining the scintillation and fluency of a Rachmaninov. Happily, Peter Jablonski makes a judicious and cannily programmed case for the various facets of Stevenson’s keyboard aesthetic.
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