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Special offer. Bellini: Norma

Marina Rebeka (Norma), Karine Deshayes (Adalgisa), Luciano Ganci (Pollione), Marko Mimica (Oroveso), Anta Jankovska (Clotilde), Gustavo De Gennaro (Flavio)

Orquesta y Coro del Teatro Real, Madrid, John Fiore

Bellini: Norma

Awards:

[Deshayes's] tone is creamy, nicely contrasting with Rebeka’s greater metal, and every word and line is etched with wonderfully expressive subtlety. It’s an outstanding performance...Rebeka’s...

Special offer. Bellini: Norma

Marina Rebeka (Norma), Karine Deshayes (Adalgisa), Luciano Ganci (Pollione), Marko Mimica (Oroveso), Anta Jankovska (Clotilde), Gustavo De Gennaro (Flavio)

Orquesta y Coro del Teatro Real, Madrid, John Fiore

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3 CDs

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96 kHz, 24 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

[Deshayes's] tone is creamy, nicely contrasting with Rebeka’s greater metal, and every word and line is etched with wonderfully expressive subtlety. It’s an outstanding performance...Rebeka’s...

About

New critical edition by Roger Parker for Casa Ricordi includes a musicological essay and the full libretto in Italian and English.

In June 2025, Marina Rebeka will perform NORMA at Teatro Alla Scala, Milano, where the opera has not been performed since 1977, with Montserrat Caballe in the title role.

Notes on the new edition:

"In the autograph, Norma's famous preghiera is written in G major, a key that would make extreme demands on most sopranos who sing the role. In this recording Marina Rebeka sings the aria in G major.

The final part of the Act One finale clearly underwent significant change, probably after the first performance; the first Ricordi vocal score and various manuscript sources have a different version of the last part of the number, with an altered disposition of the vocal parts, some variations in the melodic material and no choral intervention. This recording features the version with chorus.

[there is also the] alternative ending to the coro 'Guerra, Guerra' in Act Two. Although, again, the version in the autograph is likely to be Bellini's last thought on the matter, the alternative ending, with the return of music from the Sinfonia, opens up a vital new colour in the opera's final number, and this is the version used in the present recording." --Roger Parker

Contents and tracklist

Svanir le voci
Track length3:00
Meco all'altar di Venere
Track length2:35
Odi?... I suoi riti
Track length1:34
Me protegge, me difende
Track length2:53
Norma viene
Track length4:10
Sediziose voci
Track length4:20
Casta Diva
Track length6:48
Fine al rito
Track length1:33
Ah! bello a me ritorna
Track length4:55
Sgombra è la sacra selva
Track length5:29
Eccola! va, mi lascia
Track length1:35
Va, crudele
Track length5:10
Vieni in Roma
Track length3:43
Vanne, e li cela entrambi
Track length4:31
Adalgisa
Track length3:29
Oh! rimembranza!
Track length4:48
Ah! sì, fa core e abbracciami
Track length3:46
Ma dì... l'amato giovane
Track length2:59
Oh! di qual sei tu vittima
Track length5:06
Perfido! - Or basti
Track length1:29
Vanne, si mi lascia, indegno
Track length2:43
Introduzione
Track length4:56
Dormono entrambi...
Track length4:49
Olà!... Clotilde!
Track length0:49
Me chiami, o Norma!...
Track length2:41
Deh! con te, con te li prendi...
Track length3:30
Mira, o Norma
Track length3:38
Cedi... deh! cedi
Track length1:05
Sì, fino all'ore estreme
Track length2:01
Non parti?...
Track length4:27
Guerrieri! a voi venirne
Track length1:46
Ah! del Tebro al giogo indegno
Track length2:41
Ei tornerà...
Track length4:04
Squilla il bronzo del Dio!
Track length1:45
Guerra, guerra!
Track length1:50
Né compi il rito, o Norma
Track length3:53
In mia man alfin tu sei
Track length5:32
Gia mi pasco ne tuoi sguardi
Track length2:21
Dammi quel ferro!
Track length3:34
Qual cor tradisti, qual cor perdesti
Track length4:58
Norma!... deh! Norma! scolpati...
Track length2:14
Deh! non volerli vittime
Track length4:36

Spotlight on this release

  • Ludovic Tézier, Marina Rebeka and Francesco Meli on Simon Boccanegra

    25th Feb 2026by Katherine Cooper

    The stars of a new account of Verdi's political thriller on Prima Classic discuss their roles, some of the singers and conductors who have inspired them in this music – and why there are ‘ghosts everywhere’ in the theatre where they recorded...

  • Marina Rebeka on Norma

    18th Nov 2024by Katherine Cooper

    The Latvian soprano discusses recording the title-role in Bellini's masterpiece for her own label Prima Classic - using a new critical edition of the score by Roger Parker, which requires her to sing 'Casta diva' a tone higher than usual!

Awards and reviews

  • Presto Editor's Choice
    October 2024
  • International Classical Music Awards
    2025
    Nominated - Opera

January 2025

[Deshayes's] tone is creamy, nicely contrasting with Rebeka’s greater metal, and every word and line is etched with wonderfully expressive subtlety. It’s an outstanding performance...Rebeka’s many admirers will find much to enjoy, and Deshayes makes hearing it well worth your while.

2nd November 2024

Come for the scholarship, stay for the singing...Using a new critical edition by Roger Parker, this studio recording incorporates many of Bellini's original ideas, but Rebeka's multi-faceted, white-hot Norma is reason enough to invest in this new set. If you're after a recording that finds the sweet spot between old-school grandeur and the stripped-back, hyper-historically-informed approach which Bartoli and Antonini gave us a decade ago, this is your answer.
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