Special offer. Bellini: Norma
Marina Rebeka (Norma), Karine Deshayes (Adalgisa), Luciano Ganci (Pollione), Marko Mimica (Oroveso), Anta Jankovska (Clotilde), Gustavo De Gennaro (Flavio)
Orquesta y Coro del Teatro Real, Madrid, John Fiore
Awards:
-
Presto Editor's Choice, October 2024
-
International Classical Music Awards, 2025, Nominated - Opera
[Deshayes's] tone is creamy, nicely contrasting with Rebeka’s greater metal, and every word and line is etched with wonderfully expressive subtlety. It’s an outstanding performance...Rebeka’s...
Special offer. Bellini: Norma
Marina Rebeka (Norma), Karine Deshayes (Adalgisa), Luciano Ganci (Pollione), Marko Mimica (Oroveso), Anta Jankovska (Clotilde), Gustavo De Gennaro (Flavio)
Orquesta y Coro del Teatro Real, Madrid, John Fiore
Purchase product
Awards:
-
Presto Editor's Choice, October 2024
-
International Classical Music Awards, 2025, Nominated - Opera
[Deshayes's] tone is creamy, nicely contrasting with Rebeka’s greater metal, and every word and line is etched with wonderfully expressive subtlety. It’s an outstanding performance...Rebeka’s...
About
New critical edition by Roger Parker for Casa Ricordi includes a musicological essay and the full libretto in Italian and English.
In June 2025, Marina Rebeka will perform NORMA at Teatro Alla Scala, Milano, where the opera has not been performed since 1977, with Montserrat Caballe in the title role.
Notes on the new edition:
"In the autograph, Norma's famous preghiera is written in G major, a key that would make extreme demands on most sopranos who sing the role. In this recording Marina Rebeka sings the aria in G major.
The final part of the Act One finale clearly underwent significant change, probably after the first performance; the first Ricordi vocal score and various manuscript sources have a different version of the last part of the number, with an altered disposition of the vocal parts, some variations in the melodic material and no choral intervention. This recording features the version with chorus.
[there is also the] alternative ending to the coro 'Guerra, Guerra' in Act Two. Although, again, the version in the autograph is likely to be Bellini's last thought on the matter, the alternative ending, with the return of music from the Sinfonia, opens up a vital new colour in the opera's final number, and this is the version used in the present recording." --Roger Parker
Contents and tracklist
- Orquesta del Teatro Real, Madrid, Coro del Teatro Real, Madrid
- John Fiore
- Marko Mimica (bass-baritone)
- Coro del Teatro Real, Madrid, Orquesta del Teatro Real, Madrid
- John Fiore
- Luciano Ganci (tenor), Gustavo De Gennaro (tenor)
- Orquesta del Teatro Real, Madrid, Coro del Teatro Real, Madrid
- John Fiore
- Marko Mimica, Marina Rebeka (soprano), Marco Mimica (bass-baritone)
- Coro del Teatro Real, Madrid, Orquesta del Teatro Real, Madrid
- John Fiore
- Karine Deshayes (mezzo-soprano), Luciano Ganci (tenor)
- Orquesta del Teatro Real, Madrid, Coro del Teatro Real, Madrid
- John Fiore
- Marina Rebeka (soprano), Anta Jankovska (soprano), Karine Deshayes (mezzo-soprano), Luciano Ganci (tenor)
- Orquesta del Teatro Real, Madrid, Coro del Teatro Real, Madrid
- John Fiore
- Marina Rebeka (soprano), Anta Jankovska (soprano), Karine Deshayes (mezzo-soprano)
- Orquesta del Teatro Real, Madrid, Coro del Teatro Real, Madrid
- John Fiore
- Marko Mimica, Marco Mimica (bass-baritone)
- Coro del Teatro Real, Madrid, Orquesta del Teatro Real, Madrid
- John Fiore
- Marina Rebeka (soprano), Anta Jankovska (soprano), Marko Mimica, Marco Mimica (bass-baritone), Luciano Ganci (tenor)
- Orquesta del Teatro Real, Madrid, Coro del Teatro Real, Madrid
- John Fiore
Spotlight on this release
Awards and reviews
-
Presto Editor's ChoiceOctober 2024
-
International Classical Music Awards2025Nominated - Opera
January 2025
[Deshayes's] tone is creamy, nicely contrasting with Rebeka’s greater metal, and every word and line is etched with wonderfully expressive subtlety. It’s an outstanding performance...Rebeka’s many admirers will find much to enjoy, and Deshayes makes hearing it well worth your while.
2nd November 2024
Come for the scholarship, stay for the singing...Using a new critical edition by Roger Parker, this studio recording incorporates many of Bellini's original ideas, but Rebeka's multi-faceted, white-hot Norma is reason enough to invest in this new set. If you're after a recording that finds the sweet spot between old-school grandeur and the stripped-back, hyper-historically-informed approach which Bartoli and Antonini gave us a decade ago, this is your answer.