Special offer. Ombre di Luce
Tenor Arias by Paër, Mozart, Gluck, Salieri & Bologne
Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
The recording gets off to a sparkling start with Paër’s ‘De che ciglio’ from his Leonora. Granner’s alert, open tone immediately captivates as he declares his love for the heroine, supported...
Special offer. Ombre di Luce
Tenor Arias by Paër, Mozart, Gluck, Salieri & Bologne
Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
Purchase product
The recording gets off to a sparkling start with Paër’s ‘De che ciglio’ from his Leonora. Granner’s alert, open tone immediately captivates as he declares his love for the heroine, supported...
About
Nathan Granner presents tenor arias by Paer, Mozart, Gluck, Salieri and Bologne, showcasing the rise of the tenor in the late eighteenth century, as well as the Enlightened spirit of the age. The Orchestre Philharmonique de Marseille, under the baton of Clelia Caffiero, partners with Granner to navigate a vast emotional landscape of classical period arias producing a timeless and compelling musical experience. Nathan Granner enjoys a unique and diverse performing career, allowing him to leverage his golden age timbre in many projects and productions. He returns to PENTATONE after having sung the title role in a highlights recording of Gordon Getty's opera Goodbye, Mr. Chips (2022), of which a complete recording with Granner in the same role will appear on the label in 2025. The Orchestre Philharmonique de Marseille has appeared on PENTATONE multiple times, on albums ranging from Martinu Double Concertos with the Kodama and Nemtanu sisters to recitals by Lisa Delan and Kevin Short (all in 2018). Clelia Caffiero makes her PENTATONE debut.
Contents and tracklist
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
- Nathan Granner, Orchestre Philharmonique de Marseille, Clelia Cafiero
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Awards and reviews
October 2024
The recording gets off to a sparkling start with Paër’s ‘De che ciglio’ from his Leonora. Granner’s alert, open tone immediately captivates as he declares his love for the heroine, supported by the transparent glittering sounds of the orchestra.
December 2024
The final number is the longest of all, Mozart’s concert aria Misero! O sogno, o son desto?, where Granner portrays the regret and despair of the unnamed character (a prisoner, like Florestano) with a marvellous intensity. I enjoyed listening to this intelligently chosen sequence.