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Special offer. Traumglück

Mandy Fredrich, Matthias Samuil

Traumglück
A kinetic stage presence, Fredrich has highly focused vocal projection that’s likely to be heard in the far reaches of large modern opera houses...In effect, she brings an operatic sensibility...

Special offer. Traumglück

Mandy Fredrich, Matthias Samuil

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A kinetic stage presence, Fredrich has highly focused vocal projection that’s likely to be heard in the far reaches of large modern opera houses...In effect, she brings an operatic sensibility...

About

Mandy Fredrich’s album brings together a series of art songs that create coherent arcs and extended storylines, like a kind of mini-opera. The composers’ songs were used to put together four stories about lovers, all of which revolve around the theme of dreamy happiness in all its different facets! After her breakthrough in the role of the Queen of the Night at the Salzburg Festival under Nikolaus Harnoncourt, engagements followed at the Teatro alla Scala in Milan and the New National Theatre in Tokyo, the Zürich Opera House, the Deutsche Oper Berlin, the State Operas in Munich and Hamburg, and at the Bregenz Festival. Matthias Samuil has been Mandy Fredrich's accompanist for many years.

Contents and tracklist

I. Sicheres Merkmal
Track length1:10
II. Es hat gleich einem Diebe
Track length2:02
II. Wie ein Rausch
Track length1:01
III. Ich glaub, lieber Schatz
Track length1:30
IV. Es jagen sich Mond und Sonne
Track length3:06
I. Ich schleiche meine Straßen
Track length2:35
IV. Traumglück
Track length3:13
II. Rêve d’amour
Track length2:58
I. Au bord de l’eau
Track length2:14
I. Après un rêve
Track length2:44
III. Le secret
Track length2:30
I. Aimez-moi ma mignonne
Track length3:19
V. Villanelle
Track length2:54
Breit‘ über mein Haupt
Track length1:37
Wiegenlied
Track length4:18
Befreit
Track length5:18
Ruhe, meine Seele!
Track length3:29
Allerseelen
Track length3:13

Awards and reviews

Awards Issue 2024

A kinetic stage presence, Fredrich has highly focused vocal projection that’s likely to be heard in the far reaches of large modern opera houses...In effect, she brings an operatic sensibility to non-operatic music. Though she pulls back her voice in significant parts of the album, her less restrained moments reframe the music, writ larger than usual.
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